1 50 218 https://omeka.beyncollective.com/files/original/ac6ce63f86dc35607dec1f2cff4645c3.jpg 573a1e75558f871c5de0db64c6a847d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer multiple people per image https://omeka.beyncollective.com/files/original/12d206cbde27b39369b1010044c16f87.jpg 23b3b97f853c0c95fff030588a73a491 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer interior male photographer single person per image https://omeka.beyncollective.com/files/original/f0e5ff482557f3165bcfb3d191cc5fa1.jpg 9228b80baddcc120ed90adbb4bfe1d36 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer multiple people per image https://omeka.beyncollective.com/files/original/4d6f806203dd73d93b865e2235435b9d.jpg 1d3b6d7f62d068045b06ebc39da6ee46 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer single person per image https://omeka.beyncollective.com/files/original/84530a48baccbf742c48a974fd2cdaea.jpg b7308d615ca8c4cc27b11e499a0b7c9b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer interior male photographer multiple people per image https://omeka.beyncollective.com/files/original/3034f2cc3753009bdd9999a210fbd26b.jpg 50c2db7f43b3ffa192af745fa0ef5723 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer single person per image https://omeka.beyncollective.com/files/original/7f96dadf6de734ff2af9af2c0a337da5.jpg cb4731bf8d855575e97dba00691cf235 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer multiple people per image https://omeka.beyncollective.com/files/original/cc6645fa365b3a9b7d195fb826533a03.jpg e4cb3d58f21895107245162d119ca6bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer single person per image https://omeka.beyncollective.com/files/original/10c88a2d51a82842cbb79725469215c4.jpg 2043525421595722ad3f3e3025122101 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer multiple people per image https://omeka.beyncollective.com/files/original/38127f6cd2d1370487b9d32ec1b519b0.jpg 37a0be8c95755e0117608d6b9b32763d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer interior male photographer multiple people per image https://omeka.beyncollective.com/files/original/54d9c1e8ca20c60d5881d3b4838b12e2.png 5324804a07699d60044b51282daed9a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amria Mortada / 33 years old, I'm a tomboy. I feel it's more suitable for my character. I don't have any dresses, but every now and then I dream of wearing one and I end up becoming afraid of doing so because I fear the streets. So, I decided not to buy any. I bought a pair of pants, which seemed very normal to me but I was surprised when I got harassed verbally while wearing them. I never understood why this happened, but I was annoyed and was even shocked to know that it happened because of the colour of my pants. In the street, a girl becomes like merchandise, people are allowed to look at her as if she is displayed in a shop. Honestly, I'm still traumatized of what happened to me while wearing these pants and I decided since then never to wear it again. I I don't have the energy to stand against those who harass me. Creator An entity primarily responsible for making the resource Roger Anis depicting women Egyptian photographer exterior male photographer single person per image https://omeka.beyncollective.com/files/original/a51fe24be1d2657563ee45ed4bd84eac.png 117bdf1273e27cc429c0502c561ea188 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amria Mortada / 33 years old, I'm a tomboy. I feel it's more suitable for my character. I don't have any dresses, but every now and then I dream of wearing one and I end up becoming afraid of doing so because I fear the streets. So, I decided not to buy any. I bought a pair of pants, which seemed very normal to me but I was surprised when I got harassed verbally while wearing them. I never understood why this happened, but I was annoyed and was even shocked to know that it happened because of the colour of my pants. In the street, a girl becomes like merchandise, people are allowed to look at her as if she is displayed in a shop. Honestly, I'm still traumatized of what happened to me while wearing these pants and I decided since then never to wear it again. I I don't have the energy to stand against those who harass me. Creator An entity primarily responsible for making the resource Roger Anis Egyptian photographer male photographer not depicting women still life https://omeka.beyncollective.com/files/original/9a6c2ac286d8bdef6fcef36631c3a528.png 4db456462b75c9c4884d13a68a226b3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hala Nammr / 54 years old, Once I bought a very nice dress that I liked. After I bought it and tried it at home again, I immediately took it off and gave it to my daughter because I realized that I will not be able to wear it in Cairo. The dress was backless and I knew I will not feel comfortable wearing it, unless I was in a country other than Egypt. In a different place, I would wear it without hesitation. Creator An entity primarily responsible for making the resource Roger Anis depicting women Egyptian photographer interior male photographer single person per image https://omeka.beyncollective.com/files/original/e7110a2e28f7664c12372f53b02d48c0.png d6951587d24aa6ed6c3b6559ce074117 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fatima Ali / 25 years old, Going out of my house is such an adventure that I go through every day and I'm ready for it. There is not a single time that I go out in the street without being harassed but it never stopped me from wearing what I like. I believe I'm different and I know that people see me as different and I'm working on letting them respect that I'm different. I got a lot of harassment because of my skin colour; I always hear sexual suggestive because I'm black, which doesn't really annoy me. Yet, one of the things that really annoys me is when someone spits on me because of my skin colour, which already happened a lot of times. The hardest situation I had to go through was when I was walking in the street in Downtown and a child with his mom shouted at me: "Hey you black girl with dirty hair." I had my Rastas and responded to his mother saying that it would be good if you teach him how to behave, but then they gathered around me and started beating me. They repeated harassing and annoying me so many times afterwards and it started to annoy me because I was passing by the same street where they also live, but still I refuse to respond to violence with violence. All of this happened only because I had Rasta dreadlocks, which was strange for society. Some time later after this incident I shaved my head, but people still annoy me in the street because of my skin colour. Creator An entity primarily responsible for making the resource Roger Anis depicting women Egyptian photographer interior male photographer single person per image https://omeka.beyncollective.com/files/original/dbcf15592bc763156fcf284b7eda247e.png 07e2248c6ba497d3a90ed0d4fca29759 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Karoline Kamel / 29 years old, I changed all my style and the way I'm wearing clothes just to walk around the streets. I started to wear loose fitting clothes so that I feel comfortable and secure in the street and I convinced myself that I love this style even if I'm not a big fan of it. Recently, I started to ride a bicycle in the streets of Cairo, and for those who have visited Cairo can imagine how horrible and hard it is to move with a bike in the street, whether because of traffic, the harassment or the looks. Despite all these hardships, I still insist on riding my bike. To do this, of course, I have to wear loose fitting clothes, but I still dream of wearing whatever I want, like shorts and a nice shirt and move freely in the streets. Creator An entity primarily responsible for making the resource Roger Anis depicting women Egyptian photographer exterior male photographer single person per image https://omeka.beyncollective.com/files/original/1d11de9b1c741c4253459d94126cd420.png c3d877eedb45436467b5c6f168671ba8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hala Nammr / 54 years old, Once I bought a very nice dress that I liked. After I bought it and tried it at home again, I immediately took it off and gave it to my daughter because I realized that I will not be able to wear it in Cairo. The dress was backless and I knew I will not feel comfortable wearing it, unless I was in a country other than Egypt. In a different place, I would wear it without hesitation. Creator An entity primarily responsible for making the resource Roger Anis depicting women Egyptian photographer interior male photographer single person per image https://omeka.beyncollective.com/files/original/e4308080f22b82546d144708755e3b7f.png 721dc77f3ab3c40d0b1435eddf884dc0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fatima Ali / 25 years old, Going out of my house is such an adventure that I go through every day and I'm ready for it. There is not a single time that I go out in the street without being harassed but it never stopped me from wearing what I like. I believe I'm different and I know that people see me as different and I'm working on letting them respect that I'm different. I got a lot of harassment because of my skin colour; I always hear sexual suggestive because I'm black, which doesn't really annoy me. Yet, one of the things that really annoys me is when someone spits on me because of my skin colour, which already happened a lot of times. The hardest situation I had to go through was when I was walking in the street in Downtown and a child with his mom shouted at me: "Hey you black girl with dirty hair." I had my Rastas and responded to his mother saying that it would be good if you teach him how to behave, but then they gathered around me and started beating me. They repeated harassing and annoying me so many times afterwards and it started to annoy me because I was passing by the same street where they also live, but still I refuse to respond to violence with violence. All of this happened only because I had Rasta dreadlocks, which was strange for society. Some time later after this incident I shaved my head, but people still annoy me in the street because of my skin colour. Creator An entity primarily responsible for making the resource Roger Anis Egyptian photographer male photographer not depicting women still life https://omeka.beyncollective.com/files/original/7ce0ba1dee9805d4ead84a8791d4246c.png 0b851b67f3310dc6454d8a95714ee784 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Karoline Kamel / 29 years old, I changed all my style and the way I'm wearing clothes just to walk around the streets. I started to wear loose fitting clothes so that I feel comfortable and secure in the street and I convinced myself that I love this style even if I'm not a big fan of it. Recently, I started to ride a bicycle in the streets of Cairo, and for those who have visited Cairo can imagine how horrible and hard it is to move with a bike in the street, whether because of traffic, the harassment or the looks. Despite all these hardships, I still insist on riding my bike. To do this, of course, I have to wear loose fitting clothes, but I still dream of wearing whatever I want, like shorts and a nice shirt and move freely in the streets. Creator An entity primarily responsible for making the resource Roger Anis Egyptian photographer male photographer not depicting women still life Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Female Birth Date 1992 Birthplace Chamonix, France Currently based in Paris, France Occupation Photojournalist Biographical Text (English version version coming soon) Née en 1992 à Chamonix, Chloé est très jeune baignée dans un environnement artistique, où l'image se place comme medium privilégié pour exprimer ses émotions et ses ressentis. ​ C'est donc naturellement qu’elle se tourne, dans un premier temps, vers des études d'Histoire de l'art à l'Université Lumière à Lyon dans lesquelles elle se spécialise sur les courants picturaux du XIVe au XIXe siècle. Grandement influencée dans son travail par cette esthétique dans laquelle les oeuvres de Caravage, Ary Scheffer ou encore Delacroix sont omniprésentes, elle apporte une attention toute particulière à la lumière et la composition. ​ Par la suite, elle entreprend des études de Cinéma à l'Université Paris VIII à Paris spécialisée en réalisation de documentaire et de cinéma expérimental. Prenant sa source dans l'aspect documentaire de ses études, très vite une envie de témoigner du réel s'impose à elle. ​ En 2016, elle décide que son média sera la photographie, et ce dans une dimension résolument journalistique. Un premier voyage au Liban en Décembre 2016 lui ouvre les yeux sur le Moyen-Orient. Quelques mois plus tard, elle crée l’association « Alhawiat, » qui promeut le rôle des femmes dans la reconstruction des sociétés éclatées par les conflits, et entame un large projet photographique au pays du Cèdre auprès des femmes Libanaises, Syriennes et Palestiniennes. ​ Après un passage parmi le collectif Hans Lucas puis l'agence CIRIC, Chloé rejoint l’agence Le Pictorium en avril 2018 afin de donner plus de visibilité à son travail, et poursuit son travail au Moyen-Orient. Speaks Arabic No Length of stay in Egypt 3 months Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chloe Sharrock Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived https://www.sharrockchloe.com/about Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Female Birth Date 1992 Birthplace Chamonix, France Currently based in Paris, France Occupation Photojournalist Biographical Text English version coming soon! Née en 1992 à Chamonix, Chloé est très jeune baignée dans un environnement artistique, où l'image se place comme medium privilégié pour exprimer ses émotions et ses ressentis. ​ C'est donc naturellement qu’elle se tourne, dans un premier temps, vers des études d'Histoire de l'art à l'Université Lumière à Lyon dans lesquelles elle se spécialise sur les courants picturaux du XIVe au XIXe siècle. Grandement influencée dans son travail par cette esthétique dans laquelle les oeuvres de Caravage, Ary Scheffer ou encore Delacroix sont omniprésentes, elle apporte une attention toute particulière à la lumière et la composition. ​ Par la suite, elle entreprend des études de Cinéma à l'Université Paris VIII à Paris spécialisée en réalisation de documentaire et de cinéma expérimental. Prenant sa source dans l'aspect documentaire de ses études, très vite une envie de témoigner du réel s'impose à elle. ​ En 2016, elle décide que son média sera la photographie, et ce dans une dimension résolument journalistique. Un premier voyage au Liban en Décembre 2016 lui ouvre les yeux sur le Moyen-Orient. Quelques mois plus tard, elle crée l’association « Alhawiat, » qui promeut le rôle des femmes dans la reconstruction des sociétés éclatées par les conflits, et entame un large projet photographique au pays du Cèdre auprès des femmes Libanaises, Syriennes et Palestiniennes. ​ Après un passage parmi le collectif Hans Lucas puis l'agence CIRIC, Chloé rejoint l’agence Le Pictorium en avril 2018 afin de donner plus de visibilité à son travail, et poursuit son travail au Moyen-Orient. Speaks Arabic No Length of stay in Egypt 3 Months Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chloe Sharrock Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived https://www.sharrockchloe.com/about Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Female Birth Date 1977 Birthplace Cairo, Egypt Currently based in Cairo, Egypt Occupation Freelance photographer, visual artist Biographical Text Heba Khalifa is a multimedia artist, photojournalist and painter. After graduating from the Faculty of Fine Arts in Cairo in 2000 with a bachelor’s degree in set design she studied at the High Institute of Art Critics. She started using photography as an essential part of her artistic projects and interest in documenting and representing women and gender issues. Heba Khalifa is also a founding member of “Shouf” collective. Speaks Arabic Yes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Heba Khalifa Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Male Birth Date 1958 Birthplace Angers, France Currently based in Paris, France Occupation freelance photographer Biographical Text Born in 1958 in Angers, France. Lives in Cairo. Imbued with his distinctive delicacy, Denis Dailleux’s photographic work appears calm on the surface, yet is incredibly demanding, run through by an undercurrent of constant self-doubt and propelled by the essential personal bond he develops with those (and that which) he frames with his camera. His passion for people has naturally led him to develop portraiture as his preferred means of representing those whose true self he feels an urge to get closer to. Which he has, with actress Catherine Deneuve as well as with countless anonymous subjects from the slums of Cairo, working with the same discretion, waiting to get from his subjects what he is hoping they will offer him, without ever asking for it, simply hoping that it will happen. That is how he has patiently constructed a unique portrait of his beloved Cairo to create, with black and whites of exemplary classicism and colors of rare subtlety, the definite alternative to the heaps of cultural and touristic clichés which clutter our minds. Speaks Arabic No Length of stay in Egypt visited Egypt for first time in 1992, regular visits since then, overall ca. 6 years Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Denis Dailleux Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/pages/biography/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Female Birth Date 1970 Birthplace Bologna, Italy Currently based in New York, USA Occupation art-documentary photographer Biographical Text Monia Lippi was born near Bologna, Italy. From her formal education in Interior Design in Milan, she arrived to photography and video through different experiences in Italy, Paris, and New York. She has been living and working in New York since 2005. She started to participate in numerous group shows. Several independent and collaborative entries have been included in a number of Italian and German international film festivals and expositions. Her main cultural influences come from the Italian and European arts, particularly architecture, painting, theater, and cinema, as well as general interest in archeology and anthropology. She also has always been interested in the versatility of the U.S. American landscapes, cityscapes, their cultural identities and how different life-styles reflect themselves in architecture. Exploring different places and environments she developed many personal projects, shooting on 6x9cm medium format film and showing series of large C-Prints, of the “Nocturnal Brooklyn”, “Doors”, “The Last Vintage American Cars”, “Floating Winona” and other projects. Then in digital, she started the aerial series “At 36000 Feet” of the Southwest American deserts and more of her community projects, with particular environment, history, identity and issues that have been shown in many different exhibitions in many cities in the US and Europe, like Italy, Germany, Spain. Like the series “Chou Doc Stilts”, “Floating Cat Ba” and “White Skin”, shot in Vietnam, 2015 and then in the south of Egypt with “Aswan”, ”Gharb Soheil: relocated Nubian Village” and more projects also in Luxor in 2018. Speaks Arabic No Length of stay in Egypt 5 months Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monia Lippi Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived https://monialippi.com/bio/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Female Birth Date 1990 Birthplace Cairo, Egypt Currently based in London, UK / Cairo, Egypt Occupation Portrait and Documentary Photographer Biographical Text Lina Geoushy is an Egyptian photographer working across the spectrum of documentary and portrait photography. While studying photography at the London College of Communication, Lina began combining her experience in communication & psychology with her passion for capturing for capturing images and telling stories that deconstruct and question the public's perception of the prevailing power of patriarchy. Speaks Arabic Yes Length of stay in Egypt – Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lina Geoushy Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived https://www.linageoushy.com Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Birth Date 1967 Birthplace Sheffield Occupation photojournalist Biographical Text Gary Calton is a photojournalist whose work covers the themes of health, social justice and identity. He has travelled extensively in Russia, the African continent, USA, Japan and the UK to produce his stories for editorial publications, as well as many leading NGOs. His editorial portraits and feature stories have appeared in numerous publication namely The Observer Magazines, Time Magazine, The Sunday Times Magazine. Born in Sheffield, in 1967, Gary trained and later worked as a teacher in London. In 1990 he enrolled on a course in Photojournalist at the London College of Printing. His first Documentary project on Young Offenders in the UK was published by The Observer Newspaper in 1992. He continues to work with The Observer and Guardian publications. Gary has produce numerous documentary personal project; namely Working Mens Clubs, which looked at his childhood memories attending Britains Social Clubs, and which received a discretionary grant from the W.Eugene Smith Memorial Fund. Tuberculosis: Captain of the Armies of Death which was awarded the Fifty Crows 'International Award for Documentary Photography and Medal of Excellence.' He is currently working on a long term mixed media portrait project documenting campaigners within the UK: 'Citizens of Our Time'. Documenting the Anti Fracking Campaign in the UK. He was an Associate member of Network Photographers ; a participant in the World Press Masterclass 2000. His work has been exhibited at Visa pour l’Image (France), San Francisco and the UK. Gary is based in Yorkshire, UK. Speaks Arabic ? Length of stay in Egypt ? Currently based in Yorkshire, UK. Gender Male Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gary Calton Source A related resource from which the described resource is derived https://garycalton.com/bio Creator An entity primarily responsible for making the resource Photographer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Birth Date 1976 Birthplace Versailles, France Biographical Text Amélie Losier was born 1976 in France, she studied German Literature and History in Paris and Berlin and took classes at the École des Beaux Arts in Paris. She then studied Documentary Photography with Prof. Arno Fischer at the school "Fotografie am Schiffbauerdamm" in Berlin. Since 2001 she has been living and working as a freelance photographer in Berlin for german and international newspapers and magazines, cultural institutions and corporate publications. Losier loves portrait work, street photography, and she also produces reportages and multimedia stories in her own projects. Gender issues and the life of women are some of her main interests. Losier teaches reportage- and portrait-photography to young and adult people for different art-institutions, she is a member of the association for photojournalism FREELENS, ans is represented by the Press Photo Agency FOCUS. Her photographic projects have received several grants and scholarships (Akademie der Künste Berlin, VG Bildkunst, Grenzgänger, Goethe Institut Amman) and has been shown in many solo and group exhibitions, as well as published in books ("Wenn die Stadt schläft" at Lehmstedt Verlag. "Just like a Woman, New York City", "SAYEDA, Women in Egypt" at Nimbus, Kunst und Bücher). Speaks Arabic No Length of stay in Egypt 5 trips between 2014 and 2017, overall ca. 3,5 months Currently based in Berlin, Germany. Occupation documentary and portrait photography, for personal works and for the daily press (Die Tageszeitung, a german daily small newspaper) Gender Female Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amélie Losier Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived http://www.amelielosier.com/about Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Male Birth Date 22.04.1986 Birthplace Minya, Egypt Currently based in Cairo, Egypt Occupation He works as a photojournalist and documentary photographer at ON agency + freelance work with UN agencies and other international organisations and media outlets Biographical Text Roger got his BA in Fine Arts “ Mural Painting Dept” in 2008. He is working as a photojournalist in the daily newspaper Shorouk since 2010 - 2016 , covering the social unrest which happened in the country, his pictures can easily draw the timeline of the revolution from the start till now. Roger is one of the contributors with the Associated Press Agency, The Head of Everyday Egypt Project. He got his Diploma in Photojournalism from the Danish school of Media & Journalism in June 2015, His work has been published in international newspapers and magazines such as TIME, New York Times, Newsweek. Roger has been working as an Art Director & Photographer with UNICEF Egypt in a street kids project to produce books and exhibitions about street kids in Egypt. he has big brainstorming skills and lot of fantasy, This brings him to create a body of work, mainly about street kids, women situation and Arabic Spring, with intimacy and imagination, capturing the struggles and aspirations of Egypt. currently working on publishing 2 books about street kids with UNICEF Egypt. Roger has been unveiled as the winner of the first Thomson Reuters Foundation - Nokia Photo Award. also was one of the few Arab photographers who were selected by WPP World Press Photo to participate in Reporting Change Project about the Arab Spring where he produced a story about the Tourism Crisis after the Revolution. He also won several local prizes in Egypt and participated in so many exhibitions locally and internationally with different bodies of work. Speaks Arabic Yes Length of stay in Egypt – Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roger Anis Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived http://www.rogeranis.photo/pages/about-me/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Female Birth Date 15.08.1988 Birthplace Cairo, Egypt Currently based in Cairo, Egypt Occupation Staff photojournalist working for the Associated Press Biographical Text Based in Cairo, Nariman El-Mofty is an Egyptian-Canadian photographer covering Yemen, with a sensitive eye for portraiture that highlights the humanity of people struggling to survive amid a society in collapse. In 2019, she was part of an Associated Press team that won the Pulitzer Prize for international reporting for work uncovering the effects of Yemen’s devastating war. Speaks Arabic Yes Length of stay in Egypt – Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nariman El-Mofty Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived https://pulitzercenter.org/people/nariman-el-mofty Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Male Birth Date 1989 Birthplace Giza, Egypt Currently based in Aarhus, Denmark Occupation Khaled is a freelance photojournalist. He also teaches photography in Egypt. Currently he is studying at the Danish School of Media and Journalism. Biographical Text Sabry Khaled is a Cairo-based freelance Photojournalist, covering daily news stories, social issues, as well as long term in-depth self-driven documentary projects, which are usually described as emotional, intimate and humane. He is also involved in industrial photography for editorial and documentary purposes. Khaled covered the Egyptian uprising with many media outlets such as Al-Jazeera, BBC world and RT, along with Al-Shorouk newspaper as a Photographer and sometimes translator and fixer. Khaled has the experience working in hostile environments, which he gained during the extensive coverage of the Egyptian revolution and the events that followed, In 2013 he was trained for working in conflict during a course for photojournalists by TYR solutions. Since the outbreak of the Egyptian uprising Khaled contributed regularly with many major news wires like The AP and Anadolu Agency which helped to expose his work to many publications such as TIME, The New York Times, Washington Post, CNN. His photography has been exhibited in Egypt, Germany and Finland. Currently he is teaching Photojournalism at the faculty of Mass media and communication at the British University in Egypt. Khaled also is a photography and photojournalism trainer, working independently and in cooperation with many NGOs Speaks Arabic Yes Length of stay in Egypt – Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sabry Khaled Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived http://sabrykhaled.com/about/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Male Birth Date 1985 Birthplace Cairo, Egypt Currently based in Cairo, Egypt Occupation freelance photojournalist, journalist, producer Biographical Text Mohamed Ali eddin is a freelance photojournalist interested in human rights and workers’ issues. Most of his photo stories reflect Egyptian life outside Cairo, where people suffer from the lack of public services. In order to find those stories, he spends most of his time traveling across the country. Starting his career as a reporter, Mohamed was passionate about finding interesting stories that touched readers. He soon noticed that even good writing went unread without photographs to help tell the story visually. That realization led him to focus more on photojournalism and how a photographer can tell the whole story without words. Speaks Arabic Yes Length of stay in Egypt – Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mohamed Ali Eddin Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived https://www.worldpressphoto.org/person/detail/2034/mohamed-ali-eddin https://omeka.beyncollective.com/files/original/2b1eccea00824fe10bf5c6ddbb402c84.jpg e982526b3402b3ac51fcf6a5a6e4c10b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, Umm Yasser, center, leads women on a trek in the mountains, near Wadi Sahw, Abu Zenima, in South Sinai, Egypt Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image https://omeka.beyncollective.com/files/original/c99e6294faa9d3da26836d049c54fc5e.jpg 84226c808ec59e99f78d881b1b862c71 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image https://omeka.beyncollective.com/files/original/053f453dfc4d110ee09f0605fdb13157.jpg 55d8f5b36d6c24211193262acc9a4818 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, the first Bedouin female guides Umm Yasser, right, Umm Soliman, Aicha, and Selima pose for a photograph in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image https://omeka.beyncollective.com/files/original/be2c779aae0b809392a03f5eeda17c25.jpg acd204d0d2099afd71aa3922a64ce39c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, Umm Yasser offers tea to during a women's only circle between tourists and Bedouin women from the Hamada tribe at her home in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer female photographer interior multiple people per image https://omeka.beyncollective.com/files/original/8c2c956453610c41fd35813278105305.jpg 0900e9d18e04b324e0f2562d23a4c869 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, women eat in Umm Yasser's home in Wadi Sahw, Abu Zenima, in South Sinai, Egypt Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer female photographer interior multiple people per image https://omeka.beyncollective.com/files/original/210bff1d7f5ff33e8b4f42bee2ba2290.jpg a011f925b5882f51faf037f141fe64b8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, a Bedouin woman wears traditional clothes and dances for women in Umm Yasser's home in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer female photographer interior multiple people per image https://omeka.beyncollective.com/files/original/3ad1b5376e15105d6915c644c57df64e.jpg 521d93082c71104c2f6d607cd9603d8c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 31, 2019 photo, Umm Yasser poses for a photograph in her home in Wadi Sahw, Abu Zenima, South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer female photographer interior single person per image https://omeka.beyncollective.com/files/original/dea5aa90b0cea43f007affb1272454fe.jpg b4311228c0d76ea7c2c52fef75beb112 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, shows the kitchen in Umm Yasser's home in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty Egyptian photographer female photographer interior not depicting women still life https://omeka.beyncollective.com/files/original/2c41665519434018b4908c355040e013.jpg 746b9d94cca226c4bba18246a01a7128 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, shows remains of a car used to as a base for shelter in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty Egyptian photographer exterior female photographer not depicting women https://omeka.beyncollective.com/files/original/3c9545183491de7ffc84d96880689908.jpg 05a68dccecaae849028596e4b3664ef2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource This April 1, 2019 photo, shows a plant called "Hammora" which Bedouin women use as red lipstick from the root, found in Abu Zenima, South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty Egyptian photographer female photographer not depicting women still life https://omeka.beyncollective.com/files/original/a904c739331f82bf83b4e35b6c2d021b.jpg 6675219dd42b02b944a222b7a50db8e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, Zahra, right, looks at Yolanda the baby goat in Umm Yasser's home, in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer female photographer interior single person per image https://omeka.beyncollective.com/files/original/5a91e8941e8307ed01d4bcd102e25b72.jpg 8954e6d44487a64a6180449e9397fef3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, Umm Yasser, closes the windows of her home, in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer female photographer interior single person per image https://omeka.beyncollective.com/files/original/e52a48079987a4884338897711cca0fb.jpg ec1adb6efdccde51a7b4f96941202446 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 31, 2019 photo, an Egyptian student borrows a Bedouin wedding dress to pose for a photograph with Bedouin men from the Hamada tribe, in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image https://omeka.beyncollective.com/files/original/1cee385bda4a809d42a66fc48c7c82c3.jpg 1688f8345a85f8695c61ff586267baf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, Julie Patterson, Sinai Trail trip officer rests with Umm Yasser, on a trek in the mountains, near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image https://omeka.beyncollective.com/files/original/2062794d0343c9ebf098d2aca5eb64d7.jpg 85970a8ed5ad727551a9437325c68388 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, tourists stop to look at the view on a trek in the mountains, near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image https://omeka.beyncollective.com/files/original/c5538847776105f21e09f2efcd3423c6.jpg 632c13d091ef6e995c7f7a9d2007e748 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, Ben Hoffler, co-founder of the Sinai Trail, takes photographs on a trek in the mountains, near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty Egyptian photographer exterior female photographer not depicting women single person per image https://omeka.beyncollective.com/files/original/c7b28ad420242e69abf5fd84523a9d27.jpg 21bae4e598ac8a9a0bafabbbe8ac8fbc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource This March 30, 2019 photo, shows the scenery on a trek, near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty Egyptian photographer exterior female photographer not depicting women https://omeka.beyncollective.com/files/original/2fb857946822f9a8c7dd8495844e1d58.jpg 6af9369113fb725df5c4726f25760cde Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, Umm Yasser poses for a photograph on a trek in the mountains near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer single person per image https://omeka.beyncollective.com/files/original/2f23c487a6c6eb3fcbfc9af15b7643ef.jpg 52062824ff660be31c4dbf74d7ff93fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, tourists stop to look at the scenery on a trek in the mountains near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image https://omeka.beyncollective.com/files/original/f54a13b8c88723904f8093931d32bf0b.jpg ed7ac9de68e7c52e215bef2c1356b259 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, Umm Yasser, guides tourists on a trek in the mountains near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer single person per image