4 50 218 https://omeka.beyncollective.com/files/original/b8233a3c40eed516774141c3ab357bb7.jpg 07af9e6352684d6fb2046072c4f73ddd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "If we are going to marry, you need to get plastic surgery." Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/cb77f904f6e26f880329b29f684b47b7.jpg b7d8fbffcf22a94e6e1603dec93adb60 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource My grandmother made curtains by hand. They were suitable for her. But not for me. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/baac24b8f5ebc9081d5bd82ce6e25b7d.jpg c8e3af64d8ebfb17c890a960597efa1c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Heba Khalifa Egyptian photographer female photographer interior not depicting women still life studio https://omeka.beyncollective.com/files/original/24f9117176bdda0c90cc358c436d0364.jpg 6efadd2c02108b3e5be05ff410031797 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource My mother wants me to do everything exactly like her, according to her way. It makes me feel that she sees me only as an extension for her body. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/7354ea82d5237683841c9289c17f8210.jpg 01192281f3c2cb3e108674d7ff988c79 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource As I am about to get married, I fear being bound by the institution of marriage, repeating my mum's history, losing my independence, losing the spark and living a life that revolves around housekeeping. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/9057fad6bdbcad54a998ed391a277cba.jpg 73bf5695c07ffeb37a93ec9ff4080f54 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior still life studio https://omeka.beyncollective.com/files/original/37249a66cb9d4c7c45c69d16fd32628e.jpg bae07c82a517a9043093e118e520cd5a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I choose my path. I want to make different choices than my mother made, but her voice still resonates in my ears, "See, I told you, you will not be able to do it." Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/ed48cf7d0a72eb81f9869dc0214290e1.jpg 2aa98c850d18de3af9adbef08c838a43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior still life studio https://omeka.beyncollective.com/files/original/03c52d054f7c8eb398d994c462905ca9.jpg 2b5efa0193869922d038dcfda22a17d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource My father was away, always traveling. The last time I met my ex-boyfriend, I realized how much he resembles my dad. I also realized that when I loved him, I was trying to forgive my father. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/ed8411fb9c21defe293311bee9178f26.jpg 742d6c8c8e6ac0a5531b47986658e46e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nobody thinks about how technology frees people to express themselves, to love and to be loved; how a girl who has made peace with her body can give confidence to a girl on another continent, even if just a little bit. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Male Birth Date 1989 Birthplace Giza, Egypt Currently based in Aarhus, Denmark Occupation Khaled is a freelance photojournalist. He also teaches photography in Egypt. Currently he is studying at the Danish School of Media and Journalism. Biographical Text Sabry Khaled is a Cairo-based freelance Photojournalist, covering daily news stories, social issues, as well as long term in-depth self-driven documentary projects, which are usually described as emotional, intimate and humane. He is also involved in industrial photography for editorial and documentary purposes. Khaled covered the Egyptian uprising with many media outlets such as Al-Jazeera, BBC world and RT, along with Al-Shorouk newspaper as a Photographer and sometimes translator and fixer. Khaled has the experience working in hostile environments, which he gained during the extensive coverage of the Egyptian revolution and the events that followed, In 2013 he was trained for working in conflict during a course for photojournalists by TYR solutions. Since the outbreak of the Egyptian uprising Khaled contributed regularly with many major news wires like The AP and Anadolu Agency which helped to expose his work to many publications such as TIME, The New York Times, Washington Post, CNN. His photography has been exhibited in Egypt, Germany and Finland. Currently he is teaching Photojournalism at the faculty of Mass media and communication at the British University in Egypt. Khaled also is a photography and photojournalism trainer, working independently and in cooperation with many NGOs Speaks Arabic Yes Length of stay in Egypt – Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sabry Khaled Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived http://sabrykhaled.com/about/ https://omeka.beyncollective.com/files/original/12d206cbde27b39369b1010044c16f87.jpg 23b3b97f853c0c95fff030588a73a491 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer interior male photographer single person per image https://omeka.beyncollective.com/files/original/ac6ce63f86dc35607dec1f2cff4645c3.jpg 573a1e75558f871c5de0db64c6a847d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer multiple people per image https://omeka.beyncollective.com/files/original/38127f6cd2d1370487b9d32ec1b519b0.jpg 37a0be8c95755e0117608d6b9b32763d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer interior male photographer multiple people per image https://omeka.beyncollective.com/files/original/10c88a2d51a82842cbb79725469215c4.jpg 2043525421595722ad3f3e3025122101 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer multiple people per image https://omeka.beyncollective.com/files/original/cc6645fa365b3a9b7d195fb826533a03.jpg e4cb3d58f21895107245162d119ca6bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer single person per image https://omeka.beyncollective.com/files/original/7f96dadf6de734ff2af9af2c0a337da5.jpg cb4731bf8d855575e97dba00691cf235 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer multiple people per image https://omeka.beyncollective.com/files/original/3034f2cc3753009bdd9999a210fbd26b.jpg 50c2db7f43b3ffa192af745fa0ef5723 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer single person per image https://omeka.beyncollective.com/files/original/84530a48baccbf742c48a974fd2cdaea.jpg b7308d615ca8c4cc27b11e499a0b7c9b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer interior male photographer multiple people per image https://omeka.beyncollective.com/files/original/4d6f806203dd73d93b865e2235435b9d.jpg 1d3b6d7f62d068045b06ebc39da6ee46 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer single person per image https://omeka.beyncollective.com/files/original/f0e5ff482557f3165bcfb3d191cc5fa1.jpg 9228b80baddcc120ed90adbb4bfe1d36 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer multiple people per image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Female Birth Date 15.08.1988 Birthplace Cairo, Egypt Currently based in Cairo, Egypt Occupation Staff photojournalist working for the Associated Press Biographical Text Based in Cairo, Nariman El-Mofty is an Egyptian-Canadian photographer covering Yemen, with a sensitive eye for portraiture that highlights the humanity of people struggling to survive amid a society in collapse. In 2019, she was part of an Associated Press team that won the Pulitzer Prize for international reporting for work uncovering the effects of Yemen’s devastating war. Speaks Arabic Yes Length of stay in Egypt – Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nariman El-Mofty Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived https://pulitzercenter.org/people/nariman-el-mofty https://omeka.beyncollective.com/files/original/c99e6294faa9d3da26836d049c54fc5e.jpg 84226c808ec59e99f78d881b1b862c71 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image https://omeka.beyncollective.com/files/original/a591cfcfa5b3d2329d1310d42201bb4c.jpg c1996563f2bc1916d250c16345a4f5d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, a Bedouin girl holds plants she picked for her mother in the mountains near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer single person per image https://omeka.beyncollective.com/files/original/b82caf8999d84715a18b7ad4e9044667.jpg 8be6653b1dacd3ead4f6b29503b8fa9a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, an Egyptian 21-year-old student looks at the water remains from a waterfall in the mountains near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer single person per image https://omeka.beyncollective.com/files/original/ee41fb36639cd178017c037be3633242.jpg 9b1a37bd578b21ff6611d598be86bf95 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, tourists make their way on a trek in the mountains near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image https://omeka.beyncollective.com/files/original/14787ba406dc2f0328c6e79ed0af6a6a.jpg 05bab2e5fbf47942d840f6e75539a07d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, Egyptian Bedouin from the Hamada tribe and one of the first female guides, Aicha plays the flute for tourists on a trek in the mountains, near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer single person per image https://omeka.beyncollective.com/files/original/3df5b136601ae9e9c30369956f6806e7.jpg 7fdc5444d4c8c9c46cac3360cc86291f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, a Korean tourist poses for a photograph for her friend on a trek in the mountains near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer single person per image https://omeka.beyncollective.com/files/original/f54a13b8c88723904f8093931d32bf0b.jpg ed7ac9de68e7c52e215bef2c1356b259 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, Umm Yasser, guides tourists on a trek in the mountains near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer single person per image https://omeka.beyncollective.com/files/original/2f23c487a6c6eb3fcbfc9af15b7643ef.jpg 52062824ff660be31c4dbf74d7ff93fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, tourists stop to look at the scenery on a trek in the mountains near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image https://omeka.beyncollective.com/files/original/2fb857946822f9a8c7dd8495844e1d58.jpg 6af9369113fb725df5c4726f25760cde Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, Umm Yasser poses for a photograph on a trek in the mountains near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer single person per image https://omeka.beyncollective.com/files/original/c7b28ad420242e69abf5fd84523a9d27.jpg 21bae4e598ac8a9a0bafabbbe8ac8fbc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource This March 30, 2019 photo, shows the scenery on a trek, near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty Egyptian photographer exterior female photographer not depicting women https://omeka.beyncollective.com/files/original/c5538847776105f21e09f2efcd3423c6.jpg 632c13d091ef6e995c7f7a9d2007e748 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, Ben Hoffler, co-founder of the Sinai Trail, takes photographs on a trek in the mountains, near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty Egyptian photographer exterior female photographer not depicting women single person per image https://omeka.beyncollective.com/files/original/2062794d0343c9ebf098d2aca5eb64d7.jpg 85970a8ed5ad727551a9437325c68388 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, tourists stop to look at the view on a trek in the mountains, near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image https://omeka.beyncollective.com/files/original/1cee385bda4a809d42a66fc48c7c82c3.jpg 1688f8345a85f8695c61ff586267baf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, Julie Patterson, Sinai Trail trip officer rests with Umm Yasser, on a trek in the mountains, near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image https://omeka.beyncollective.com/files/original/2b1eccea00824fe10bf5c6ddbb402c84.jpg e982526b3402b3ac51fcf6a5a6e4c10b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, Umm Yasser, center, leads women on a trek in the mountains, near Wadi Sahw, Abu Zenima, in South Sinai, Egypt Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image https://omeka.beyncollective.com/files/original/e52a48079987a4884338897711cca0fb.jpg ec1adb6efdccde51a7b4f96941202446 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 31, 2019 photo, an Egyptian student borrows a Bedouin wedding dress to pose for a photograph with Bedouin men from the Hamada tribe, in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image https://omeka.beyncollective.com/files/original/5a91e8941e8307ed01d4bcd102e25b72.jpg 8954e6d44487a64a6180449e9397fef3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, Umm Yasser, closes the windows of her home, in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer female photographer interior single person per image https://omeka.beyncollective.com/files/original/a904c739331f82bf83b4e35b6c2d021b.jpg 6675219dd42b02b944a222b7a50db8e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, Zahra, right, looks at Yolanda the baby goat in Umm Yasser's home, in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer female photographer interior single person per image https://omeka.beyncollective.com/files/original/3c9545183491de7ffc84d96880689908.jpg 05a68dccecaae849028596e4b3664ef2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource This April 1, 2019 photo, shows a plant called "Hammora" which Bedouin women use as red lipstick from the root, found in Abu Zenima, South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty Egyptian photographer female photographer not depicting women still life https://omeka.beyncollective.com/files/original/2c41665519434018b4908c355040e013.jpg 746b9d94cca226c4bba18246a01a7128 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, shows remains of a car used to as a base for shelter in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty Egyptian photographer exterior female photographer not depicting women https://omeka.beyncollective.com/files/original/dea5aa90b0cea43f007affb1272454fe.jpg b4311228c0d76ea7c2c52fef75beb112 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, shows the kitchen in Umm Yasser's home in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty Egyptian photographer female photographer interior not depicting women still life https://omeka.beyncollective.com/files/original/3ad1b5376e15105d6915c644c57df64e.jpg 521d93082c71104c2f6d607cd9603d8c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 31, 2019 photo, Umm Yasser poses for a photograph in her home in Wadi Sahw, Abu Zenima, South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer female photographer interior single person per image https://omeka.beyncollective.com/files/original/210bff1d7f5ff33e8b4f42bee2ba2290.jpg a011f925b5882f51faf037f141fe64b8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, a Bedouin woman wears traditional clothes and dances for women in Umm Yasser's home in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer female photographer interior multiple people per image https://omeka.beyncollective.com/files/original/8c2c956453610c41fd35813278105305.jpg 0900e9d18e04b324e0f2562d23a4c869 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, women eat in Umm Yasser's home in Wadi Sahw, Abu Zenima, in South Sinai, Egypt Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer female photographer interior multiple people per image https://omeka.beyncollective.com/files/original/be2c779aae0b809392a03f5eeda17c25.jpg acd204d0d2099afd71aa3922a64ce39c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, Umm Yasser offers tea to during a women's only circle between tourists and Bedouin women from the Hamada tribe at her home in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer female photographer interior multiple people per image https://omeka.beyncollective.com/files/original/053f453dfc4d110ee09f0605fdb13157.jpg 55d8f5b36d6c24211193262acc9a4818 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 30, 2019 photo, the first Bedouin female guides Umm Yasser, right, Umm Soliman, Aicha, and Selima pose for a photograph in Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer multiple people per image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Male Birth Date 22.04.1986 Birthplace Minya, Egypt Currently based in Cairo, Egypt Occupation He works as a photojournalist and documentary photographer at ON agency + freelance work with UN agencies and other international organisations and media outlets Biographical Text Roger got his BA in Fine Arts “ Mural Painting Dept” in 2008. He is working as a photojournalist in the daily newspaper Shorouk since 2010 - 2016 , covering the social unrest which happened in the country, his pictures can easily draw the timeline of the revolution from the start till now. Roger is one of the contributors with the Associated Press Agency, The Head of Everyday Egypt Project. He got his Diploma in Photojournalism from the Danish school of Media & Journalism in June 2015, His work has been published in international newspapers and magazines such as TIME, New York Times, Newsweek. Roger has been working as an Art Director & Photographer with UNICEF Egypt in a street kids project to produce books and exhibitions about street kids in Egypt. he has big brainstorming skills and lot of fantasy, This brings him to create a body of work, mainly about street kids, women situation and Arabic Spring, with intimacy and imagination, capturing the struggles and aspirations of Egypt. currently working on publishing 2 books about street kids with UNICEF Egypt. Roger has been unveiled as the winner of the first Thomson Reuters Foundation - Nokia Photo Award. also was one of the few Arab photographers who were selected by WPP World Press Photo to participate in Reporting Change Project about the Arab Spring where he produced a story about the Tourism Crisis after the Revolution. He also won several local prizes in Egypt and participated in so many exhibitions locally and internationally with different bodies of work. Speaks Arabic Yes Length of stay in Egypt – Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roger Anis Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived http://www.rogeranis.photo/pages/about-me/ https://omeka.beyncollective.com/files/original/dbcf15592bc763156fcf284b7eda247e.png 07e2248c6ba497d3a90ed0d4fca29759 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Karoline Kamel / 29 years old, I changed all my style and the way I'm wearing clothes just to walk around the streets. I started to wear loose fitting clothes so that I feel comfortable and secure in the street and I convinced myself that I love this style even if I'm not a big fan of it. Recently, I started to ride a bicycle in the streets of Cairo, and for those who have visited Cairo can imagine how horrible and hard it is to move with a bike in the street, whether because of traffic, the harassment or the looks. Despite all these hardships, I still insist on riding my bike. To do this, of course, I have to wear loose fitting clothes, but I still dream of wearing whatever I want, like shorts and a nice shirt and move freely in the streets. Creator An entity primarily responsible for making the resource Roger Anis depicting women Egyptian photographer exterior male photographer single person per image https://omeka.beyncollective.com/files/original/7ce0ba1dee9805d4ead84a8791d4246c.png 0b851b67f3310dc6454d8a95714ee784 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Karoline Kamel / 29 years old, I changed all my style and the way I'm wearing clothes just to walk around the streets. I started to wear loose fitting clothes so that I feel comfortable and secure in the street and I convinced myself that I love this style even if I'm not a big fan of it. Recently, I started to ride a bicycle in the streets of Cairo, and for those who have visited Cairo can imagine how horrible and hard it is to move with a bike in the street, whether because of traffic, the harassment or the looks. Despite all these hardships, I still insist on riding my bike. To do this, of course, I have to wear loose fitting clothes, but I still dream of wearing whatever I want, like shorts and a nice shirt and move freely in the streets. Creator An entity primarily responsible for making the resource Roger Anis Egyptian photographer male photographer not depicting women still life