2 50 218 https://omeka.beyncollective.com/files/original/3034f2cc3753009bdd9999a210fbd26b.jpg 50c2db7f43b3ffa192af745fa0ef5723 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer single person per image https://omeka.beyncollective.com/files/original/7f96dadf6de734ff2af9af2c0a337da5.jpg cb4731bf8d855575e97dba00691cf235 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer multiple people per image https://omeka.beyncollective.com/files/original/cc6645fa365b3a9b7d195fb826533a03.jpg e4cb3d58f21895107245162d119ca6bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer single person per image https://omeka.beyncollective.com/files/original/10c88a2d51a82842cbb79725469215c4.jpg 2043525421595722ad3f3e3025122101 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer multiple people per image https://omeka.beyncollective.com/files/original/38127f6cd2d1370487b9d32ec1b519b0.jpg 37a0be8c95755e0117608d6b9b32763d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer interior male photographer multiple people per image https://omeka.beyncollective.com/files/original/ac6ce63f86dc35607dec1f2cff4645c3.jpg 573a1e75558f871c5de0db64c6a847d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer exterior male photographer multiple people per image https://omeka.beyncollective.com/files/original/12d206cbde27b39369b1010044c16f87.jpg 23b3b97f853c0c95fff030588a73a491 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Khokha, street for women Subject The topic of the resource Motivation: Khaled was assigned to work on a project with Sally Osama; they were working together on a magazine that was supposed to be funded by the Sawiris Foundation, but the project fell apart. They were trying to find examples of marginalized women in society. Khaled had worked already on a project focusing on women who had lost their partners (published in Egypt Independent, currently Mada Masr), which had given him some access to certain groups of women who he would have otherwise not have access to. He wanted to keep working on similar exploratory projects about women in underprivileged conditions due to questions about gender power relations and privilege that were preoccupying him. Khokha was the result, but it was quite the challenge and quite the learning experience. He learnt more about their life patterns, such as what time of the day would be appropriate to engage with them in conversation/take photos. Description An account of the resource "Khokha" is the Arabic for "Peach", Name of a small street in Coptic Cairo and the nickname of Khadija. Khadijah's husband left her in the 70's and people started calling her Khokha, Then till today, All the men in that small street either left their wives because they couldn't withstand the life in a slum Or they died, Now it's a street only for women, Single mothers, either widows or divorced, it's a place where everybody is taking care of everybody. Creator An entity primarily responsible for making the resource Sabry Khaled Source A related resource from which the described resource is derived http://sabrykhaled.com/stories/khokha-street-women/ Publisher An entity responsible for making the resource available It was supposed to be published in that magazine, but it ended up in another news outlet called Hibr. https://www.7iber.com/2015/01/photos-khokha-women-only/?%3E Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English, Arabic Type The nature or genre of the resource Documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Sabry Khaled depicting women Egyptian photographer interior male photographer single person per image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Male Birth Date 1989 Birthplace Giza, Egypt Currently based in Aarhus, Denmark Occupation Khaled is a freelance photojournalist. He also teaches photography in Egypt. Currently he is studying at the Danish School of Media and Journalism. Biographical Text Sabry Khaled is a Cairo-based freelance Photojournalist, covering daily news stories, social issues, as well as long term in-depth self-driven documentary projects, which are usually described as emotional, intimate and humane. He is also involved in industrial photography for editorial and documentary purposes. Khaled covered the Egyptian uprising with many media outlets such as Al-Jazeera, BBC world and RT, along with Al-Shorouk newspaper as a Photographer and sometimes translator and fixer. Khaled has the experience working in hostile environments, which he gained during the extensive coverage of the Egyptian revolution and the events that followed, In 2013 he was trained for working in conflict during a course for photojournalists by TYR solutions. Since the outbreak of the Egyptian uprising Khaled contributed regularly with many major news wires like The AP and Anadolu Agency which helped to expose his work to many publications such as TIME, The New York Times, Washington Post, CNN. His photography has been exhibited in Egypt, Germany and Finland. Currently he is teaching Photojournalism at the faculty of Mass media and communication at the British University in Egypt. Khaled also is a photography and photojournalism trainer, working independently and in cooperation with many NGOs Speaks Arabic Yes Length of stay in Egypt – Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sabry Khaled Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived http://sabrykhaled.com/about/ https://omeka.beyncollective.com/files/original/ed8411fb9c21defe293311bee9178f26.jpg 742d6c8c8e6ac0a5531b47986658e46e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nobody thinks about how technology frees people to express themselves, to love and to be loved; how a girl who has made peace with her body can give confidence to a girl on another continent, even if just a little bit. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/03c52d054f7c8eb398d994c462905ca9.jpg 2b5efa0193869922d038dcfda22a17d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource My father was away, always traveling. The last time I met my ex-boyfriend, I realized how much he resembles my dad. I also realized that when I loved him, I was trying to forgive my father. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/ed48cf7d0a72eb81f9869dc0214290e1.jpg 2aa98c850d18de3af9adbef08c838a43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior still life studio https://omeka.beyncollective.com/files/original/37249a66cb9d4c7c45c69d16fd32628e.jpg bae07c82a517a9043093e118e520cd5a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I choose my path. I want to make different choices than my mother made, but her voice still resonates in my ears, "See, I told you, you will not be able to do it." Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/9057fad6bdbcad54a998ed391a277cba.jpg 73bf5695c07ffeb37a93ec9ff4080f54 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior still life studio https://omeka.beyncollective.com/files/original/7354ea82d5237683841c9289c17f8210.jpg 01192281f3c2cb3e108674d7ff988c79 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource As I am about to get married, I fear being bound by the institution of marriage, repeating my mum's history, losing my independence, losing the spark and living a life that revolves around housekeeping. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/24f9117176bdda0c90cc358c436d0364.jpg 6efadd2c02108b3e5be05ff410031797 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource My mother wants me to do everything exactly like her, according to her way. It makes me feel that she sees me only as an extension for her body. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/baac24b8f5ebc9081d5bd82ce6e25b7d.jpg c8e3af64d8ebfb17c890a960597efa1c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Heba Khalifa Egyptian photographer female photographer interior not depicting women still life studio https://omeka.beyncollective.com/files/original/cb77f904f6e26f880329b29f684b47b7.jpg b7d8fbffcf22a94e6e1603dec93adb60 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource My grandmother made curtains by hand. They were suitable for her. But not for me. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/b8233a3c40eed516774141c3ab357bb7.jpg 07af9e6352684d6fb2046072c4f73ddd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "If we are going to marry, you need to get plastic surgery." Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/27bcfe8c8406705e8d7477694a962aba.jpg 59d7f53f538f208639d75f625a791427 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource They called me "mother of the unborn" in my hometown because I am sterile. I tried a lot and waited for many years. In my lifetime, the only birth I witnessed was my own. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/3a67dc983063b1611d12396a8432853b.jpg de1d9a998c65edab4f49f075ed09ff0e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior still life studio https://omeka.beyncollective.com/files/original/3c757a30f632a4d690ec9db411d43067.jpg cf09800b9464aa631efebb75bc82e388 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In my house, I cannot go out as I want, cannot call whomever I want, am not allowed to learn music. I feel I am just something on the shelf at home. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/37f8d9f4c59d4d012864066e46152edd.jpg fa714e49be4c14ff3e70d7b9e1fccd99 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I have had horrible headaches since I was seven. At my new school, mates rejected the dark skinned intruder who thought about things differently. I hated being different – inside and out. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/910cb763f59eb6d88246e3616e42c557.jpg d1834df947e68bf393218b7157f00868 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I cannot see well, and my friends used to call me "the girl with four eyes." As a result I grew up feeling I can neither see nor be seen by the world. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/4cd415b8b522c7ac398888e5e346e807.jpg cd7be606b4f429041812d349c35eb5ed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Heba Khalifa Egyptian photographer female photographer interior not depicting women still life https://omeka.beyncollective.com/files/original/4e5ec8273aeaf0ba44b2a4705734b21d.jpg e06c696778c9c8a85dac4393b668ea0d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I wait for my period. Although it is something I dislike very much, having my period means that I am not pregnant and I won't have to go through another abortion here in Egypt. I don't even want to imagine this situation in this country. It scares me to death. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/c00f37780dcdaf229cb0b657fced9875.jpg ca454ef4ac4934ac9afacdd282395f47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I have spent my whole life trying to love myself. My body is heavy. I am detached from my soul. I am in the desert in my own home, empty of intimacy and feeling. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/0b559f02eb330b05f9355f708acc8a0a.jpg 953691af215b5f5908b6f908a7ad634f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I am a single mother. My daughter and I are one. She is always with me. Any lover I might have must love my daughter more than me. So I cannot easily find a lover. My life is overloaded. I work six days a week and am all over the place doing acrobatics to be able to provide shelter to my daughter. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior multiple people per image studio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Female Birth Date 1977 Birthplace Cairo, Egypt Currently based in Cairo, Egypt Occupation Freelance photographer, visual artist Biographical Text Heba Khalifa is a multimedia artist, photojournalist and painter. After graduating from the Faculty of Fine Arts in Cairo in 2000 with a bachelor’s degree in set design she studied at the High Institute of Art Critics. She started using photography as an essential part of her artistic projects and interest in documenting and representing women and gender issues. Heba Khalifa is also a founding member of “Shouf” collective. Speaks Arabic Yes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Heba Khalifa Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade https://omeka.beyncollective.com/files/original/e1bc17a9bc20f665b566a8265becbaee.jpg a9304f163aec13fed875a0b2c3068c35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transgender In Egypt Subject The topic of the resource Motivation: As a photojournalist, I used to check many different stories and projects from different communities around the world including the transgender stories, but I had never been interested to do a story about the Trangenders in Egypt. Many topics look more important and urgent. In 2017, I received a new challenging assignment from the Norwegian newspaper 'Klassekampen' to discuss the transgender issues in Egypt. It was not easy at all to fulfill what the editor asked for, especially the research phase, but the good point was that the reporter could help me to find cases. Usually, I did search before taking photos as I believe that my work to find data about any topic and then visualize it. The search for this story was really interesting and offered me new information about the situation of the Transgender community in Egypt. Surprisingly, I found that changing your gender was not criminalised in Egypt and there were official ways to do it, but I found also that way was a very bureaucratic process which could take years. After meeting and talking with cases even those who don't want to be photographed, I have understood more and more about this sensitive vulnerable community. In short words, they spent years of struggling inside their families and society to convince relatives that they have the right to change their gender, and then they have to go through a very long process. Their second choice is to change the gender unofficially with doctors who exploit them and then frauding official IDs to change the name and gender. All of these encouraged me to keep going with this story trying to find more cases even after I delivered my assignment to the newspaper, but the sensitive situation for the cases and my limited time prevented me from taking more photos. Description An account of the resource Unfortunately, after as I remember two weeks of searching we found only two cases who accepted to be photographed. The first case was in Cairo for trans man and the second was in Alexandria for a trans woman. We did the first shoot in Cairo with a case called Mohamed Allam who was already a famous transgender in Egypt. The second shoot was more sensitive as our case accepted to be photographed but without showing her face. We did the shooting and I showed the case all photos to decided which ones kept her anonymous. We have also agreed not to publish these photos at any Egyptian publication. Creator An entity primarily responsible for making the resource Mohamed Ali Eddin Source A related resource from which the described resource is derived https://www.alieddin.com/albums/transgender-in-egypt/ Publisher An entity responsible for making the resource available – Klassekampen (Norwegian newspaper), 2017 Date A point or period of time associated with an event in the lifecycle of the resource 2017 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned by Klassekampen Language A language of the resource Norwegian Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Mohamed Ali Eddin depicting women Egyptian photographer exterior male photographer single person per image https://omeka.beyncollective.com/files/original/1303a87f3ac252fe87b276dc75907bdf.jpg 913d2abe20748aa93f368d02c9d02d3c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transgender In Egypt Subject The topic of the resource Motivation: As a photojournalist, I used to check many different stories and projects from different communities around the world including the transgender stories, but I had never been interested to do a story about the Trangenders in Egypt. Many topics look more important and urgent. In 2017, I received a new challenging assignment from the Norwegian newspaper 'Klassekampen' to discuss the transgender issues in Egypt. It was not easy at all to fulfill what the editor asked for, especially the research phase, but the good point was that the reporter could help me to find cases. Usually, I did search before taking photos as I believe that my work to find data about any topic and then visualize it. The search for this story was really interesting and offered me new information about the situation of the Transgender community in Egypt. Surprisingly, I found that changing your gender was not criminalised in Egypt and there were official ways to do it, but I found also that way was a very bureaucratic process which could take years. After meeting and talking with cases even those who don't want to be photographed, I have understood more and more about this sensitive vulnerable community. In short words, they spent years of struggling inside their families and society to convince relatives that they have the right to change their gender, and then they have to go through a very long process. Their second choice is to change the gender unofficially with doctors who exploit them and then frauding official IDs to change the name and gender. All of these encouraged me to keep going with this story trying to find more cases even after I delivered my assignment to the newspaper, but the sensitive situation for the cases and my limited time prevented me from taking more photos. Description An account of the resource Unfortunately, after as I remember two weeks of searching we found only two cases who accepted to be photographed. The first case was in Cairo for trans man and the second was in Alexandria for a trans woman. We did the first shoot in Cairo with a case called Mohamed Allam who was already a famous transgender in Egypt. The second shoot was more sensitive as our case accepted to be photographed but without showing her face. We did the shooting and I showed the case all photos to decided which ones kept her anonymous. We have also agreed not to publish these photos at any Egyptian publication. Creator An entity primarily responsible for making the resource Mohamed Ali Eddin Source A related resource from which the described resource is derived https://www.alieddin.com/albums/transgender-in-egypt/ Publisher An entity responsible for making the resource available – Klassekampen (Norwegian newspaper), 2017 Date A point or period of time associated with an event in the lifecycle of the resource 2017 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned by Klassekampen Language A language of the resource Norwegian Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Mohamed Ali Eddin depicting women Egyptian photographer interior male photographer single person per image https://omeka.beyncollective.com/files/original/12ed4a158fa9a4aa17b6192ed5699b6d.jpg e80ce7a1313e39fb597336ed6cc1926d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transgender In Egypt Subject The topic of the resource Motivation: As a photojournalist, I used to check many different stories and projects from different communities around the world including the transgender stories, but I had never been interested to do a story about the Trangenders in Egypt. Many topics look more important and urgent. In 2017, I received a new challenging assignment from the Norwegian newspaper 'Klassekampen' to discuss the transgender issues in Egypt. It was not easy at all to fulfill what the editor asked for, especially the research phase, but the good point was that the reporter could help me to find cases. Usually, I did search before taking photos as I believe that my work to find data about any topic and then visualize it. The search for this story was really interesting and offered me new information about the situation of the Transgender community in Egypt. Surprisingly, I found that changing your gender was not criminalised in Egypt and there were official ways to do it, but I found also that way was a very bureaucratic process which could take years. After meeting and talking with cases even those who don't want to be photographed, I have understood more and more about this sensitive vulnerable community. In short words, they spent years of struggling inside their families and society to convince relatives that they have the right to change their gender, and then they have to go through a very long process. Their second choice is to change the gender unofficially with doctors who exploit them and then frauding official IDs to change the name and gender. All of these encouraged me to keep going with this story trying to find more cases even after I delivered my assignment to the newspaper, but the sensitive situation for the cases and my limited time prevented me from taking more photos. Description An account of the resource Unfortunately, after as I remember two weeks of searching we found only two cases who accepted to be photographed. The first case was in Cairo for trans man and the second was in Alexandria for a trans woman. We did the first shoot in Cairo with a case called Mohamed Allam who was already a famous transgender in Egypt. The second shoot was more sensitive as our case accepted to be photographed but without showing her face. We did the shooting and I showed the case all photos to decided which ones kept her anonymous. We have also agreed not to publish these photos at any Egyptian publication. Creator An entity primarily responsible for making the resource Mohamed Ali Eddin Source A related resource from which the described resource is derived https://www.alieddin.com/albums/transgender-in-egypt/ Publisher An entity responsible for making the resource available – Klassekampen (Norwegian newspaper), 2017 Date A point or period of time associated with an event in the lifecycle of the resource 2017 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned by Klassekampen Language A language of the resource Norwegian Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Mohamed Ali Eddin Egyptian photographer interior male photographer not depicting women still life https://omeka.beyncollective.com/files/original/40d27d486f0b3aaf5dcc7c0c84ea575a.jpg e969ad438d37959571ab4e8118b35de7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transgender In Egypt Subject The topic of the resource Motivation: As a photojournalist, I used to check many different stories and projects from different communities around the world including the transgender stories, but I had never been interested to do a story about the Trangenders in Egypt. Many topics look more important and urgent. In 2017, I received a new challenging assignment from the Norwegian newspaper 'Klassekampen' to discuss the transgender issues in Egypt. It was not easy at all to fulfill what the editor asked for, especially the research phase, but the good point was that the reporter could help me to find cases. Usually, I did search before taking photos as I believe that my work to find data about any topic and then visualize it. The search for this story was really interesting and offered me new information about the situation of the Transgender community in Egypt. Surprisingly, I found that changing your gender was not criminalised in Egypt and there were official ways to do it, but I found also that way was a very bureaucratic process which could take years. After meeting and talking with cases even those who don't want to be photographed, I have understood more and more about this sensitive vulnerable community. In short words, they spent years of struggling inside their families and society to convince relatives that they have the right to change their gender, and then they have to go through a very long process. Their second choice is to change the gender unofficially with doctors who exploit them and then frauding official IDs to change the name and gender. All of these encouraged me to keep going with this story trying to find more cases even after I delivered my assignment to the newspaper, but the sensitive situation for the cases and my limited time prevented me from taking more photos. Description An account of the resource Unfortunately, after as I remember two weeks of searching we found only two cases who accepted to be photographed. The first case was in Cairo for trans man and the second was in Alexandria for a trans woman. We did the first shoot in Cairo with a case called Mohamed Allam who was already a famous transgender in Egypt. The second shoot was more sensitive as our case accepted to be photographed but without showing her face. We did the shooting and I showed the case all photos to decided which ones kept her anonymous. We have also agreed not to publish these photos at any Egyptian publication. Creator An entity primarily responsible for making the resource Mohamed Ali Eddin Source A related resource from which the described resource is derived https://www.alieddin.com/albums/transgender-in-egypt/ Publisher An entity responsible for making the resource available – Klassekampen (Norwegian newspaper), 2017 Date A point or period of time associated with an event in the lifecycle of the resource 2017 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned by Klassekampen Language A language of the resource Norwegian Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Mohamed Ali Eddin depicting women Egyptian photographer interior male photographer single person per image https://omeka.beyncollective.com/files/original/b3c542784be4f81abd4c57a5c074d6d6.jpg ac15b06e77b84ab12a3ccafe435b2a04 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transgender In Egypt Subject The topic of the resource Motivation: As a photojournalist, I used to check many different stories and projects from different communities around the world including the transgender stories, but I had never been interested to do a story about the Trangenders in Egypt. Many topics look more important and urgent. In 2017, I received a new challenging assignment from the Norwegian newspaper 'Klassekampen' to discuss the transgender issues in Egypt. It was not easy at all to fulfill what the editor asked for, especially the research phase, but the good point was that the reporter could help me to find cases. Usually, I did search before taking photos as I believe that my work to find data about any topic and then visualize it. The search for this story was really interesting and offered me new information about the situation of the Transgender community in Egypt. Surprisingly, I found that changing your gender was not criminalised in Egypt and there were official ways to do it, but I found also that way was a very bureaucratic process which could take years. After meeting and talking with cases even those who don't want to be photographed, I have understood more and more about this sensitive vulnerable community. In short words, they spent years of struggling inside their families and society to convince relatives that they have the right to change their gender, and then they have to go through a very long process. Their second choice is to change the gender unofficially with doctors who exploit them and then frauding official IDs to change the name and gender. All of these encouraged me to keep going with this story trying to find more cases even after I delivered my assignment to the newspaper, but the sensitive situation for the cases and my limited time prevented me from taking more photos. Description An account of the resource Unfortunately, after as I remember two weeks of searching we found only two cases who accepted to be photographed. The first case was in Cairo for trans man and the second was in Alexandria for a trans woman. We did the first shoot in Cairo with a case called Mohamed Allam who was already a famous transgender in Egypt. The second shoot was more sensitive as our case accepted to be photographed but without showing her face. We did the shooting and I showed the case all photos to decided which ones kept her anonymous. We have also agreed not to publish these photos at any Egyptian publication. Creator An entity primarily responsible for making the resource Mohamed Ali Eddin Source A related resource from which the described resource is derived https://www.alieddin.com/albums/transgender-in-egypt/ Publisher An entity responsible for making the resource available – Klassekampen (Norwegian newspaper), 2017 Date A point or period of time associated with an event in the lifecycle of the resource 2017 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned by Klassekampen Language A language of the resource Norwegian Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Mohamed Ali Eddin depicting women Egyptian photographer interior male photographer single person per image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Male Birth Date 1985 Birthplace Cairo, Egypt Currently based in Cairo, Egypt Occupation freelance photojournalist, journalist, producer Biographical Text Mohamed Ali eddin is a freelance photojournalist interested in human rights and workers’ issues. Most of his photo stories reflect Egyptian life outside Cairo, where people suffer from the lack of public services. In order to find those stories, he spends most of his time traveling across the country. Starting his career as a reporter, Mohamed was passionate about finding interesting stories that touched readers. He soon noticed that even good writing went unread without photographs to help tell the story visually. That realization led him to focus more on photojournalism and how a photographer can tell the whole story without words. Speaks Arabic Yes Length of stay in Egypt – Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mohamed Ali Eddin Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived https://www.worldpressphoto.org/person/detail/2034/mohamed-ali-eddin https://omeka.beyncollective.com/files/original/1d0a8fd526704db22ed164768e524edc.jpg 66df0b3e963617a6c1114d0761bc22bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ali et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/188c8b34e05ffc82182b8d8ccca430ee.jpg f7d9cab351728189003ab1cba3e0f25c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mohamed et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/07c4c8549f327329e42095efd839e2fb.jpg 280a2eaec2f170abfc1fd7f3d8dc2f78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boutros et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/3574d4a7b2ea490d6e49fcc0a2001bca.jpg d8511f215263b14119a6b2f402bd4a3e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mohamed et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/68e71e44ea25b9476b5644c0c170edef.jpg 37a461feab822857240a86b8d2dd7ba4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bilal et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/74a96ec20457243ff24d5c6dc0a5330b.jpg d72766fc15a3b9683045d0ed7e98813e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mahmoud et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/6c74c6f7f1459616375caa5aa642590a.jpg e31d6481fbe6417ffb2306032c7239f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Islam et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/f16a1ec694d9449faed33da522e09bc0.jpg 0c7d356987d95bc658efa3339faacbb4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ramy et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/fe789095e5bb8cfd2a95341d0571e7e9.jpg 79c31672dd75c5673ceb99f0bb488f1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emad et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/cd1a19d168dbc9325ab1421ee462ab5c.jpg d1a5f3e0fd0b52b32b97529ba1b4ab22 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amr, Mohamed et leur mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/c3b4276e4f3b310dce0a873e389b6143.jpg 3fd779f4368f8cae842acde3cbecb2a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mahmoud et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/7871b50d5082f26b903755767cf3eb5f.jpg 1d14d2171b40888aea908ae9d9712bea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Michael et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/5c38b6fc0c50eb3498d18bb7d7c1b990.jpg 252dc2352b1bcc9b571027c95e696c1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hussein et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/562dd12fe53768449330e82f00a589ae.jpg 2ce2a76ab1dfdd01eed9033d7f6a2b18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ahmed et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/ceea85c1ab3e35425ba7eace2e8114aa.jpg c8a43540eb72b134fa5275a4b4276643 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shaban et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/b05547ed3db958c13aec997a790decab.jpg 31cf50d680842ee3f2d478e05eb9c76a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sarwat et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer