1 50 218 https://omeka.beyncollective.com/files/original/b321aa1e064bc9b1234f57e27ab8c082.jpg 0e50fefb5bca790ef3fcf44f97906991 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women suffer under Egypt's radical rule – in pictures Description An account of the resource Photographer Gary Calton and reporter Tracy McVeigh travelled with Plan Egypt to cover the story of the women taking to the streets, opposing a new constitution that sweeps away their rights and opens the way for girls of 13 to be married. Their protests bring them into violent confrontation with government supporters Creator An entity primarily responsible for making the resource Gary Calton Source A related resource from which the described resource is derived https://www.theguardian.com/world/gallery/2013/mar/31/egypt-cairo-women-rights-revolution?fbclid=IwAR1wEWyuDPFbihnFRHCyVS1VKNAJErlpkFSb2bkL081KDFFJI22H9ylVVeE Language A language of the resource english Publisher An entity responsible for making the resource available The Guardian, 31.3.2013 Rights Information about rights held in and over the resource Not approved to publish Type The nature or genre of the resource Documentary photography Date A point or period of time associated with an event in the lifecycle of the resource ? Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: ? Relation A related resource Commissioned/supported/financed:<br /><ul><li>The Guardian</li> <li>Plan Egypt <br />(https://plan-uk.org/about-because-i-am-a-girl)</li> <li>The Observer</li> </ul> Subject The topic of the resource Motivation: ? Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A 12-year-old girl at a women‘s group in Manial Sheiha, run by the charity Plan Egypt. At the moment she faces a grim future of poverty, underage marriage and female circumcision. Women‘s groups in Egypt hoped the 2011 revolution might bring positive changes to women‘s rights but now fear the opposite is true Creator An entity primarily responsible for making the resource Gary Calton depicting women interior non-Egyptian photographer single person per image https://omeka.beyncollective.com/files/original/b8233a3c40eed516774141c3ab357bb7.jpg 07af9e6352684d6fb2046072c4f73ddd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "If we are going to marry, you need to get plastic surgery." Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/562dd12fe53768449330e82f00a589ae.jpg 2ce2a76ab1dfdd01eed9033d7f6a2b18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ahmed et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/3fceb36ee749b20d2ffcffe5ed61af18.jpg 899615d794e62331c0249c6ca374bc9a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aïd et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/51401684739249d27baf5c6906730a8b.png 49d898bb7d059e17f2762c5504a0b120 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Breadwinners Description An account of the resource Portrait series of housekeepers. Photos taken in at their workplaces at the consent of their employers. In a patriarchal society where men can expect to control their wives’ career choices and have a final say over all household matters, a woman may go out into the world, find a job as a housekeeper, earn money and support her whole family. However, her power and status at home may not change at all, so she ends up carrying the burden rather than the privilege of being the sole provider. Creator An entity primarily responsible for making the resource Lina Geoushy Source A related resource from which the described resource is derived https://www.linageoushy.com/breadwinners#2 Publisher An entity responsible for making the resource available <ul><li>GUP New Dutch Photography Talent</li> <li><span>RPS documentary photographer of the year https://www.rpsdpoty.com/ </span></li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2018-2019 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self-initiated and self-financed Language A language of the resource English Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Subject The topic of the resource Motivation: After watching "Roma", the Alfonso Cuarón movie, Lina thought about Cleo, the main character. How she was a part of the family, but not quite. Seeing the large socioeconomics gaps in Egyptian society, Lina was motivated to speak with her friends' housekeepers, especially those who have stayed with the same family for over 5 years - commonplace in Egyptian homes. These women, often downgrading the value of their own labour, are strong and dignified, and actually earn the incomes for their households, hence the name "Breadwinners" Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aida Creator An entity primarily responsible for making the resource Lina Geoushy depicting women Egyptian photographer living abroad single person per image studio https://omeka.beyncollective.com/files/original/1d0a8fd526704db22ed164768e524edc.jpg 66df0b3e963617a6c1114d0761bc22bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ali et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/26d6a1dd42cf29333dfceddc0c474da5.png 27d555b750e046d8f78d4f58300fd46c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Breadwinners Description An account of the resource Portrait series of housekeepers. Photos taken in at their workplaces at the consent of their employers. In a patriarchal society where men can expect to control their wives’ career choices and have a final say over all household matters, a woman may go out into the world, find a job as a housekeeper, earn money and support her whole family. However, her power and status at home may not change at all, so she ends up carrying the burden rather than the privilege of being the sole provider. Creator An entity primarily responsible for making the resource Lina Geoushy Source A related resource from which the described resource is derived https://www.linageoushy.com/breadwinners#2 Publisher An entity responsible for making the resource available <ul><li>GUP New Dutch Photography Talent</li> <li><span>RPS documentary photographer of the year https://www.rpsdpoty.com/ </span></li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2018-2019 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self-initiated and self-financed Language A language of the resource English Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Subject The topic of the resource Motivation: After watching "Roma", the Alfonso Cuarón movie, Lina thought about Cleo, the main character. How she was a part of the family, but not quite. Seeing the large socioeconomics gaps in Egyptian society, Lina was motivated to speak with her friends' housekeepers, especially those who have stayed with the same family for over 5 years - commonplace in Egyptian homes. These women, often downgrading the value of their own labour, are strong and dignified, and actually earn the incomes for their households, hence the name "Breadwinners" Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amal Creator An entity primarily responsible for making the resource Lina Geoushy depicting women Egyptian photographer living abroad single person per image studio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Birth Date 1976 Birthplace Versailles, France Biographical Text Amélie Losier was born 1976 in France, she studied German Literature and History in Paris and Berlin and took classes at the École des Beaux Arts in Paris. She then studied Documentary Photography with Prof. Arno Fischer at the school "Fotografie am Schiffbauerdamm" in Berlin. Since 2001 she has been living and working as a freelance photographer in Berlin for german and international newspapers and magazines, cultural institutions and corporate publications. Losier loves portrait work, street photography, and she also produces reportages and multimedia stories in her own projects. Gender issues and the life of women are some of her main interests. Losier teaches reportage- and portrait-photography to young and adult people for different art-institutions, she is a member of the association for photojournalism FREELENS, ans is represented by the Press Photo Agency FOCUS. Her photographic projects have received several grants and scholarships (Akademie der Künste Berlin, VG Bildkunst, Grenzgänger, Goethe Institut Amman) and has been shown in many solo and group exhibitions, as well as published in books ("Wenn die Stadt schläft" at Lehmstedt Verlag. "Just like a Woman, New York City", "SAYEDA, Women in Egypt" at Nimbus, Kunst und Bücher). Speaks Arabic No Length of stay in Egypt 5 trips between 2014 and 2017, overall ca. 3,5 months Currently based in Berlin, Germany. Occupation documentary and portrait photography, for personal works and for the daily press (Die Tageszeitung, a german daily small newspaper) Gender Female Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amélie Losier Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived http://www.amelielosier.com/about https://omeka.beyncollective.com/files/original/cd1a19d168dbc9325ab1421ee462ab5c.jpg d1a5f3e0fd0b52b32b97529ba1b4ab22 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amr, Mohamed et leur mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/a51fe24be1d2657563ee45ed4bd84eac.png 117bdf1273e27cc429c0502c561ea188 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amria Mortada / 33 years old, I'm a tomboy. I feel it's more suitable for my character. I don't have any dresses, but every now and then I dream of wearing one and I end up becoming afraid of doing so because I fear the streets. So, I decided not to buy any. I bought a pair of pants, which seemed very normal to me but I was surprised when I got harassed verbally while wearing them. I never understood why this happened, but I was annoyed and was even shocked to know that it happened because of the colour of my pants. In the street, a girl becomes like merchandise, people are allowed to look at her as if she is displayed in a shop. Honestly, I'm still traumatized of what happened to me while wearing these pants and I decided since then never to wear it again. I I don't have the energy to stand against those who harass me. Creator An entity primarily responsible for making the resource Roger Anis Egyptian photographer male photographer not depicting women still life https://omeka.beyncollective.com/files/original/54d9c1e8ca20c60d5881d3b4838b12e2.png 5324804a07699d60044b51282daed9a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amria Mortada / 33 years old, I'm a tomboy. I feel it's more suitable for my character. I don't have any dresses, but every now and then I dream of wearing one and I end up becoming afraid of doing so because I fear the streets. So, I decided not to buy any. I bought a pair of pants, which seemed very normal to me but I was surprised when I got harassed verbally while wearing them. I never understood why this happened, but I was annoyed and was even shocked to know that it happened because of the colour of my pants. In the street, a girl becomes like merchandise, people are allowed to look at her as if she is displayed in a shop. Honestly, I'm still traumatized of what happened to me while wearing these pants and I decided since then never to wear it again. I I don't have the energy to stand against those who harass me. Creator An entity primarily responsible for making the resource Roger Anis depicting women Egyptian photographer exterior male photographer single person per image https://omeka.beyncollective.com/files/original/90915164592dab6b468e73195bb2c4c1.jpg a912ec46ceb7088e5c3e232cfbed59f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women suffer under Egypt's radical rule – in pictures Description An account of the resource Photographer Gary Calton and reporter Tracy McVeigh travelled with Plan Egypt to cover the story of the women taking to the streets, opposing a new constitution that sweeps away their rights and opens the way for girls of 13 to be married. Their protests bring them into violent confrontation with government supporters Creator An entity primarily responsible for making the resource Gary Calton Source A related resource from which the described resource is derived https://www.theguardian.com/world/gallery/2013/mar/31/egypt-cairo-women-rights-revolution?fbclid=IwAR1wEWyuDPFbihnFRHCyVS1VKNAJErlpkFSb2bkL081KDFFJI22H9ylVVeE Language A language of the resource english Publisher An entity responsible for making the resource available The Guardian, 31.3.2013 Rights Information about rights held in and over the resource Not approved to publish Type The nature or genre of the resource Documentary photography Date A point or period of time associated with an event in the lifecycle of the resource ? Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: ? Relation A related resource Commissioned/supported/financed:<br /><ul><li>The Guardian</li> <li>Plan Egypt <br />(https://plan-uk.org/about-because-i-am-a-girl)</li> <li>The Observer</li> </ul> Subject The topic of the resource Motivation: ? Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An anti-government protester yells in defiance as teargas pellets are fired into the crowd by supporters of the Muslim Brotherhood during clashes at Mokattam in Cairo Creator An entity primarily responsible for making the resource Gary Calton depicting women exterior non-Egyptian photographer street photography https://omeka.beyncollective.com/files/original/f40abb94d915c4cf9bf30bb1022815da.jpg 75abe84f1540f7ac6532d990c0d4589c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource sayeda . women in egypt . Description An account of the resource SAYEDA is a photographic work about women in Egypt. I travelled to Egypt on various occasions to do portraits and interviews with women from different walks of life. Many people in Egypt fight against violations of human, and in particular, women´s rights. In my work, I approached Egyptian women from different social environments whose position in society depends on religion, education, age and socio-economic situation. This work explores the issue of what it means to be a woman in egypt today. I am so thankful to all women I had the great pleasure to meet, listen to and learn from! I received a grant from the german foundation “VG Bild Kunst” for this project. I was also award the “Grenzgänger” Scholarship from the Literarisches Colloqium Berlin and the Robert Bosch Foundation, and this work was supported by the Goethe Institute in Cairo. To see all portraits and read all interviews and also wondeful essays by political scientist Hoda Salah and art historian Franziska Schmidt, please have a look at the book: Amélie Losier, SAYEDA. Frauen in Ägypten. Women in Egypt. Femmes d’Égypte, at editions Nimbus. Kunst und Bücher, 2017, isbn 978-3-03850-037-7 (in German, English and French) Creator An entity primarily responsible for making the resource Amélie Losier Source A related resource from which the described resource is derived http://www.amelielosier.com/sayeda-women-egypt-portraits-and-street-photography Language A language of the resource English, French, German Publisher An entity responsible for making the resource available <ul><li>http://www.nimbusbooks.ch/buch/sayeda (October 2017)</li> <li><a href="https://www.emma.de/artikel/der-kampf-um-die-verlorene-freiheit-336911">EMMA </a><br /><span>Hoda Salah, </span><span>25. Juni 2019</span></li> <li><span><a href="https://dafg.eu/aktuelles/news/?tx_ttnews%5Btt_news%5D=1852&amp;cHash=8ccee858130b7a98cf70f4dd8861eaf5">Deutsch-Arabische Freundschaftsgesellschaft</a><br />Redaktion , 28. Juni 2018</span></li> <li><span><a href="https://www.arte.tv/de/videos/078183-003-A/metropolis/">arte METROPOLIS</a><br />Redaktion , 17. Juni 2018</span></li> <li><span><a href="http://www.tagesschau.de/multimedia/video/video-397703.html">ARD, Tagesschau </a><br />Redaktion , 25. April 2018</span></li> <li><span><a href="https://www.daserste.de/information/wissen-kultur/ttt/sendung/ndr/losier100.html">TTT Titel Thesen Temperamente</a><br />Maryam Bonakdar, 23. April 2018</span></li> <li><span><a href="http://www.trierkids.de/news/index.php#650338a8b80eedd01">trierkids.de</a><br />Gabi Böhm, 3. April 2018</span></li> <li><span><a href="http://www.badische-zeitung.de/literatur-und-vortraege/von-starken-und-mutigen-aegypterinnen--148624639.html">Badische Zeitung </a><br />Annemarie Rösch, 26. Januar 2018</span></li> <li><span><a href="http://www.deutschlandfunkkultur.de/bildband-sayeda-frauen-in-aegypten-all-diese-frauen-sind.1270.de.html?dram:article_id=400781">Deutschlandradio Kultur</a><br />Andrea Gerk, 16. November 2017</span></li> <li><span><a href="https://www.radiox.ch/buchbasel-2017-alle-interviews-zum-nachhoren/">Radio X</a><br />Redaktion, 15. November 2017</span></li> <li><span><a href="https://www.journal21.ch/frauen-in-aegypten">Journal 21</a><br />Stephan Wehowsky, 14. November 2017</span></li> <li><span><a href="http://www.buchjahr.uzh.ch/zuerichliest/category/der-donnerstag/page/2/">Schweizer Buchjahr 17</a><br />Carla Peca, 30. Oktober 2017</span></li> <li><span><a href="http://www.taz.de/!5423630/">taz</a><br />Waltraud Schwab, 8. Juli 2017</span></li> <li><span><a href="https://www.freelens.com/news/sayeda-women-in-egypt/">Freelens</a><br />Paula Tamm, 31. Mai 2017</span></li> <li><span><a href="http://www.berglink.de/frauen-in-aegypten-ein-buchprojekt/">BergLink. Magazin für Entdecker und Entdeckungen</a><br />Redaktion, 19. Mai 2017</span></li> <li> <div> <div class="_1mf _1mj"><span>Face to Face</span></div> </div> <div> <div class="_1mf _1mj"><span>Rosphoto Saint Petersburg, Russland</span></div> </div> <div> <div class="_1mf _1mj"><span>Exhibition 29.02 - 21.04.2020</span></div> <div class="_1mf _1mj"><span><a href="https://rosphoto.org/von-angesicht-zu-angesicht/sayeda/">https://rosphoto.org/von-angesicht-zu-angesicht/sayeda/</a><br /></span></div> </div> </li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2014 –2017 Rights Information about rights held in and over the resource Approved to publish Type The nature or genre of the resource Portrait photography, street photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo and aroud, Alexandria, Sadat City and Tunis el Fayoum on the countryside. Relation A related resource Commissioned/supported/financed: <br /><blockquote> <div> <div> <div> <ul><li><span>grant from the german foundation “VG Bild Kunst”</span></li> <li><span>“Grenzgänger” scholarship </span><span>from the Literarisches Colloqium Berlin and the Robert Bosch Foundation</span></li> <li><span>supported by the Goethe Institute in Cairo</span></li> </ul></div> </div> </div> </blockquote> Subject The topic of the resource Motivation: Part of my family is originally from French Algiers, but when I set out on this project, I had never visited an Arab country before. I like to encounter foreign worlds to learn about other cultures and people. Photography offers an opportunity, a way in. As a photographer, I am interested in the individual circumstances of people or different groups in the population; often these are people who live on the periphery of society or as a minority, either because of their jobs, their religion or life situation. When the Arab Spring broke out in 2011 and the affected countries were in the media spotlight, I became more concerned with current events and began reading lots of newspaper pieces. Around the same time in 2012, I read a pivotal article written by Egyptian-American journalist and feminist Mona El Tahawy “Why do they hate us?“ which addresses misogyny in Islam. It was like being electrified. I wanted to understand more, and so decided to travel to Egypt to get to know the world of these women: their daily routines, their wishes, dreams and concerns. I wanted to know how differences in social position, religion, education, age and class defined the scope of their lives. The reports about the rapes at Tahrir Square in 2012 and 2013 convinced me of the necessity of this plan. Preparing for the series was sometimes tedious and tough. Luckily, I had friends in Cairo who could tell me a lot about the country and who opened up a lot of doors for me. Films and books, news and newspaper reports provided more information on how Egyptian society developed over the last fifty years and how it runs today. When I received the grant from VG Bild Kunst for the project, the whole thing became much more concrete and I could finally plan the trip. Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Angie, Maadi, Cairo Creator An entity primarily responsible for making the resource Amélie Losier depicting women interior non-Egyptian photographer single person per image https://omeka.beyncollective.com/files/original/cfa428fedd5c0f5d0e6327e01ce404cb.jpg 527b8ead5b43efc832bfaaf9b4e59100 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women suffer under Egypt's radical rule – in pictures Description An account of the resource Photographer Gary Calton and reporter Tracy McVeigh travelled with Plan Egypt to cover the story of the women taking to the streets, opposing a new constitution that sweeps away their rights and opens the way for girls of 13 to be married. Their protests bring them into violent confrontation with government supporters Creator An entity primarily responsible for making the resource Gary Calton Source A related resource from which the described resource is derived https://www.theguardian.com/world/gallery/2013/mar/31/egypt-cairo-women-rights-revolution?fbclid=IwAR1wEWyuDPFbihnFRHCyVS1VKNAJErlpkFSb2bkL081KDFFJI22H9ylVVeE Language A language of the resource english Publisher An entity responsible for making the resource available The Guardian, 31.3.2013 Rights Information about rights held in and over the resource Not approved to publish Type The nature or genre of the resource Documentary photography Date A point or period of time associated with an event in the lifecycle of the resource ? Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: ? Relation A related resource Commissioned/supported/financed:<br /><ul><li>The Guardian</li> <li>Plan Egypt <br />(https://plan-uk.org/about-because-i-am-a-girl)</li> <li>The Observer</li> </ul> Subject The topic of the resource Motivation: ? Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anti-government protesters pick their way through a dust storm en route to a demonstration outside the Muslim Brotherhood HQ in a housing district at Mokattam Creator An entity primarily responsible for making the resource Gary Calton exterior non-Egyptian photographer not depicting women street photography https://omeka.beyncollective.com/files/original/c0c45f2911d6441aa3acb7466a65bfd0.jpg ffb9972a97e3223cffc283ebf09083ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women suffer under Egypt's radical rule – in pictures Description An account of the resource Photographer Gary Calton and reporter Tracy McVeigh travelled with Plan Egypt to cover the story of the women taking to the streets, opposing a new constitution that sweeps away their rights and opens the way for girls of 13 to be married. Their protests bring them into violent confrontation with government supporters Creator An entity primarily responsible for making the resource Gary Calton Source A related resource from which the described resource is derived https://www.theguardian.com/world/gallery/2013/mar/31/egypt-cairo-women-rights-revolution?fbclid=IwAR1wEWyuDPFbihnFRHCyVS1VKNAJErlpkFSb2bkL081KDFFJI22H9ylVVeE Language A language of the resource english Publisher An entity responsible for making the resource available The Guardian, 31.3.2013 Rights Information about rights held in and over the resource Not approved to publish Type The nature or genre of the resource Documentary photography Date A point or period of time associated with an event in the lifecycle of the resource ? Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: ? Relation A related resource Commissioned/supported/financed:<br /><ul><li>The Guardian</li> <li>Plan Egypt <br />(https://plan-uk.org/about-because-i-am-a-girl)</li> <li>The Observer</li> </ul> Subject The topic of the resource Motivation: ? Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anti-government protesters run as shots ring out and missiles fly during an ambush on the marchers by supporters of the Muslim Brotherhood. The demonstrators were on their way to join a bigger protest outside the Muslim Brotherhood‘s new HQ in Mokattam Creator An entity primarily responsible for making the resource Gary Calton exterior non-Egyptian photographer not depicting women street photography https://omeka.beyncollective.com/files/original/467d376e512767f53fbfa54971c37a9a.jpg aec2d39670a0a1b6f2c8a3ca1b3a2a24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women suffer under Egypt's radical rule – in pictures Description An account of the resource Photographer Gary Calton and reporter Tracy McVeigh travelled with Plan Egypt to cover the story of the women taking to the streets, opposing a new constitution that sweeps away their rights and opens the way for girls of 13 to be married. Their protests bring them into violent confrontation with government supporters Creator An entity primarily responsible for making the resource Gary Calton Source A related resource from which the described resource is derived https://www.theguardian.com/world/gallery/2013/mar/31/egypt-cairo-women-rights-revolution?fbclid=IwAR1wEWyuDPFbihnFRHCyVS1VKNAJErlpkFSb2bkL081KDFFJI22H9ylVVeE Language A language of the resource english Publisher An entity responsible for making the resource available The Guardian, 31.3.2013 Rights Information about rights held in and over the resource Not approved to publish Type The nature or genre of the resource Documentary photography Date A point or period of time associated with an event in the lifecycle of the resource ? Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: ? Relation A related resource Commissioned/supported/financed:<br /><ul><li>The Guardian</li> <li>Plan Egypt <br />(https://plan-uk.org/about-because-i-am-a-girl)</li> <li>The Observer</li> </ul> Subject The topic of the resource Motivation: ? Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anti-government supporters clash with Muslim Brotherhood supporters (in foreground) during a demonstration at the Brotherhood Mokattam HQ Creator An entity primarily responsible for making the resource Gary Calton exterior non-Egyptian photographer not depicting women street photography https://omeka.beyncollective.com/files/original/53ea116a67430ad67a9bc78934d643a2.jpg 17c8eae7ee30fb361df970bf7a3c52fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women suffer under Egypt's radical rule – in pictures Description An account of the resource Photographer Gary Calton and reporter Tracy McVeigh travelled with Plan Egypt to cover the story of the women taking to the streets, opposing a new constitution that sweeps away their rights and opens the way for girls of 13 to be married. Their protests bring them into violent confrontation with government supporters Creator An entity primarily responsible for making the resource Gary Calton Source A related resource from which the described resource is derived https://www.theguardian.com/world/gallery/2013/mar/31/egypt-cairo-women-rights-revolution?fbclid=IwAR1wEWyuDPFbihnFRHCyVS1VKNAJErlpkFSb2bkL081KDFFJI22H9ylVVeE Language A language of the resource english Publisher An entity responsible for making the resource available The Guardian, 31.3.2013 Rights Information about rights held in and over the resource Not approved to publish Type The nature or genre of the resource Documentary photography Date A point or period of time associated with an event in the lifecycle of the resource ? Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: ? Relation A related resource Commissioned/supported/financed:<br /><ul><li>The Guardian</li> <li>Plan Egypt <br />(https://plan-uk.org/about-because-i-am-a-girl)</li> <li>The Observer</li> </ul> Subject The topic of the resource Motivation: ? Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource As clashes between the two sides begin to break out near Mokattam mosque, anti-government protesters pick up stones to hurl at the opposing crowds Creator An entity primarily responsible for making the resource Gary Calton depicting women exterior non-Egyptian photographer street photography https://omeka.beyncollective.com/files/original/7354ea82d5237683841c9289c17f8210.jpg 01192281f3c2cb3e108674d7ff988c79 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource As I am about to get married, I fear being bound by the institution of marriage, repeating my mum's history, losing my independence, losing the spark and living a life that revolves around housekeeping. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/1334434f48147324ae18962d25cadd5e.png a9b967c948056016e3aa4421a7fbf0f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Breadwinners Description An account of the resource Portrait series of housekeepers. Photos taken in at their workplaces at the consent of their employers. In a patriarchal society where men can expect to control their wives’ career choices and have a final say over all household matters, a woman may go out into the world, find a job as a housekeeper, earn money and support her whole family. However, her power and status at home may not change at all, so she ends up carrying the burden rather than the privilege of being the sole provider. Creator An entity primarily responsible for making the resource Lina Geoushy Source A related resource from which the described resource is derived https://www.linageoushy.com/breadwinners#2 Publisher An entity responsible for making the resource available <ul><li>GUP New Dutch Photography Talent</li> <li><span>RPS documentary photographer of the year https://www.rpsdpoty.com/ </span></li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2018-2019 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self-initiated and self-financed Language A language of the resource English Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Subject The topic of the resource Motivation: After watching "Roma", the Alfonso Cuarón movie, Lina thought about Cleo, the main character. How she was a part of the family, but not quite. Seeing the large socioeconomics gaps in Egyptian society, Lina was motivated to speak with her friends' housekeepers, especially those who have stayed with the same family for over 5 years - commonplace in Egyptian homes. These women, often downgrading the value of their own labour, are strong and dignified, and actually earn the incomes for their households, hence the name "Breadwinners" Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Azza Creator An entity primarily responsible for making the resource Lina Geoushy depicting women Egyptian photographer Egyptian photographer living abroad female photographer interior single person per image https://omeka.beyncollective.com/files/original/23838474f0f06b5db2bc90f09570d2cd.png 9feb78ca909fb808c98ed6ed8c9b30da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Breadwinners Description An account of the resource Portrait series of housekeepers. Photos taken in at their workplaces at the consent of their employers. In a patriarchal society where men can expect to control their wives’ career choices and have a final say over all household matters, a woman may go out into the world, find a job as a housekeeper, earn money and support her whole family. However, her power and status at home may not change at all, so she ends up carrying the burden rather than the privilege of being the sole provider. Creator An entity primarily responsible for making the resource Lina Geoushy Source A related resource from which the described resource is derived https://www.linageoushy.com/breadwinners#2 Publisher An entity responsible for making the resource available <ul><li>GUP New Dutch Photography Talent</li> <li><span>RPS documentary photographer of the year https://www.rpsdpoty.com/ </span></li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2018-2019 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self-initiated and self-financed Language A language of the resource English Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Subject The topic of the resource Motivation: After watching "Roma", the Alfonso Cuarón movie, Lina thought about Cleo, the main character. How she was a part of the family, but not quite. Seeing the large socioeconomics gaps in Egyptian society, Lina was motivated to speak with her friends' housekeepers, especially those who have stayed with the same family for over 5 years - commonplace in Egyptian homes. These women, often downgrading the value of their own labour, are strong and dignified, and actually earn the incomes for their households, hence the name "Breadwinners" Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Azziza Creator An entity primarily responsible for making the resource Lina Geoushy depicting women Egyptian photographer living abroad single person per image studio https://omeka.beyncollective.com/files/original/bafdc19db5ccdc5fac223839d348298e.png f94b531cc246dbd1a7003045babb60f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Breadwinners Description An account of the resource Portrait series of housekeepers. Photos taken in at their workplaces at the consent of their employers. In a patriarchal society where men can expect to control their wives’ career choices and have a final say over all household matters, a woman may go out into the world, find a job as a housekeeper, earn money and support her whole family. However, her power and status at home may not change at all, so she ends up carrying the burden rather than the privilege of being the sole provider. Creator An entity primarily responsible for making the resource Lina Geoushy Source A related resource from which the described resource is derived https://www.linageoushy.com/breadwinners#2 Publisher An entity responsible for making the resource available <ul><li>GUP New Dutch Photography Talent</li> <li><span>RPS documentary photographer of the year https://www.rpsdpoty.com/ </span></li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2018-2019 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self-initiated and self-financed Language A language of the resource English Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Subject The topic of the resource Motivation: After watching "Roma", the Alfonso Cuarón movie, Lina thought about Cleo, the main character. How she was a part of the family, but not quite. Seeing the large socioeconomics gaps in Egyptian society, Lina was motivated to speak with her friends' housekeepers, especially those who have stayed with the same family for over 5 years - commonplace in Egyptian homes. These women, often downgrading the value of their own labour, are strong and dignified, and actually earn the incomes for their households, hence the name "Breadwinners" Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Badreya Creator An entity primarily responsible for making the resource Lina Geoushy depicting women Egyptian photographer Egyptian photographer living abroad female photographer interior single person per image https://omeka.beyncollective.com/files/original/68e71e44ea25b9476b5644c0c170edef.jpg 37a461feab822857240a86b8d2dd7ba4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bilal et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/07c4c8549f327329e42095efd839e2fb.jpg 280a2eaec2f170abfc1fd7f3d8dc2f78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boutros et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/d03a07ac72b604dda0bc9ddbccb3750b.jpg b44001fc4afd2e184fb860648760b40a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women suffer under Egypt's radical rule – in pictures Description An account of the resource Photographer Gary Calton and reporter Tracy McVeigh travelled with Plan Egypt to cover the story of the women taking to the streets, opposing a new constitution that sweeps away their rights and opens the way for girls of 13 to be married. Their protests bring them into violent confrontation with government supporters Creator An entity primarily responsible for making the resource Gary Calton Source A related resource from which the described resource is derived https://www.theguardian.com/world/gallery/2013/mar/31/egypt-cairo-women-rights-revolution?fbclid=IwAR1wEWyuDPFbihnFRHCyVS1VKNAJErlpkFSb2bkL081KDFFJI22H9ylVVeE Language A language of the resource english Publisher An entity responsible for making the resource available The Guardian, 31.3.2013 Rights Information about rights held in and over the resource Not approved to publish Type The nature or genre of the resource Documentary photography Date A point or period of time associated with an event in the lifecycle of the resource ? Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: ? Relation A related resource Commissioned/supported/financed:<br /><ul><li>The Guardian</li> <li>Plan Egypt <br />(https://plan-uk.org/about-because-i-am-a-girl)</li> <li>The Observer</li> </ul> Subject The topic of the resource Motivation: ? Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cairo‘s Manial Sheiha district Creator An entity primarily responsible for making the resource Gary Calton depicting women exterior non-Egyptian photographer street photography Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Female Birth Date 1992 Birthplace Chamonix, France Currently based in Paris, France Occupation Photojournalist Biographical Text English version coming soon! Née en 1992 à Chamonix, Chloé est très jeune baignée dans un environnement artistique, où l'image se place comme medium privilégié pour exprimer ses émotions et ses ressentis. ​ C'est donc naturellement qu’elle se tourne, dans un premier temps, vers des études d'Histoire de l'art à l'Université Lumière à Lyon dans lesquelles elle se spécialise sur les courants picturaux du XIVe au XIXe siècle. Grandement influencée dans son travail par cette esthétique dans laquelle les oeuvres de Caravage, Ary Scheffer ou encore Delacroix sont omniprésentes, elle apporte une attention toute particulière à la lumière et la composition. ​ Par la suite, elle entreprend des études de Cinéma à l'Université Paris VIII à Paris spécialisée en réalisation de documentaire et de cinéma expérimental. Prenant sa source dans l'aspect documentaire de ses études, très vite une envie de témoigner du réel s'impose à elle. ​ En 2016, elle décide que son média sera la photographie, et ce dans une dimension résolument journalistique. Un premier voyage au Liban en Décembre 2016 lui ouvre les yeux sur le Moyen-Orient. Quelques mois plus tard, elle crée l’association « Alhawiat, » qui promeut le rôle des femmes dans la reconstruction des sociétés éclatées par les conflits, et entame un large projet photographique au pays du Cèdre auprès des femmes Libanaises, Syriennes et Palestiniennes. ​ Après un passage parmi le collectif Hans Lucas puis l'agence CIRIC, Chloé rejoint l’agence Le Pictorium en avril 2018 afin de donner plus de visibilité à son travail, et poursuit son travail au Moyen-Orient. Speaks Arabic No Length of stay in Egypt 3 Months Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chloe Sharrock Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived https://www.sharrockchloe.com/about Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Female Birth Date 1992 Birthplace Chamonix, France Currently based in Paris, France Occupation Photojournalist Biographical Text (English version version coming soon) Née en 1992 à Chamonix, Chloé est très jeune baignée dans un environnement artistique, où l'image se place comme medium privilégié pour exprimer ses émotions et ses ressentis. ​ C'est donc naturellement qu’elle se tourne, dans un premier temps, vers des études d'Histoire de l'art à l'Université Lumière à Lyon dans lesquelles elle se spécialise sur les courants picturaux du XIVe au XIXe siècle. Grandement influencée dans son travail par cette esthétique dans laquelle les oeuvres de Caravage, Ary Scheffer ou encore Delacroix sont omniprésentes, elle apporte une attention toute particulière à la lumière et la composition. ​ Par la suite, elle entreprend des études de Cinéma à l'Université Paris VIII à Paris spécialisée en réalisation de documentaire et de cinéma expérimental. Prenant sa source dans l'aspect documentaire de ses études, très vite une envie de témoigner du réel s'impose à elle. ​ En 2016, elle décide que son média sera la photographie, et ce dans une dimension résolument journalistique. Un premier voyage au Liban en Décembre 2016 lui ouvre les yeux sur le Moyen-Orient. Quelques mois plus tard, elle crée l’association « Alhawiat, » qui promeut le rôle des femmes dans la reconstruction des sociétés éclatées par les conflits, et entame un large projet photographique au pays du Cèdre auprès des femmes Libanaises, Syriennes et Palestiniennes. ​ Après un passage parmi le collectif Hans Lucas puis l'agence CIRIC, Chloé rejoint l’agence Le Pictorium en avril 2018 afin de donner plus de visibilité à son travail, et poursuit son travail au Moyen-Orient. Speaks Arabic No Length of stay in Egypt 3 months Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chloe Sharrock Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived https://www.sharrockchloe.com/about https://omeka.beyncollective.com/files/original/edb157879cbc69cf40d18c0af8ab2d75.jpg 37b34cfb3f8e5f78ab8cce127e5ff87f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women suffer under Egypt's radical rule – in pictures Description An account of the resource Photographer Gary Calton and reporter Tracy McVeigh travelled with Plan Egypt to cover the story of the women taking to the streets, opposing a new constitution that sweeps away their rights and opens the way for girls of 13 to be married. Their protests bring them into violent confrontation with government supporters Creator An entity primarily responsible for making the resource Gary Calton Source A related resource from which the described resource is derived https://www.theguardian.com/world/gallery/2013/mar/31/egypt-cairo-women-rights-revolution?fbclid=IwAR1wEWyuDPFbihnFRHCyVS1VKNAJErlpkFSb2bkL081KDFFJI22H9ylVVeE Language A language of the resource english Publisher An entity responsible for making the resource available The Guardian, 31.3.2013 Rights Information about rights held in and over the resource Not approved to publish Type The nature or genre of the resource Documentary photography Date A point or period of time associated with an event in the lifecycle of the resource ? Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: ? Relation A related resource Commissioned/supported/financed:<br /><ul><li>The Guardian</li> <li>Plan Egypt <br />(https://plan-uk.org/about-because-i-am-a-girl)</li> <li>The Observer</li> </ul> Subject The topic of the resource Motivation: ? Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daily life in Manial Sheiha Creator An entity primarily responsible for making the resource Gary Calton depicting women exterior non-Egyptian photographer street photography Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Male Birth Date 1958 Birthplace Angers, France Currently based in Paris, France Occupation freelance photographer Biographical Text Born in 1958 in Angers, France. Lives in Cairo. Imbued with his distinctive delicacy, Denis Dailleux’s photographic work appears calm on the surface, yet is incredibly demanding, run through by an undercurrent of constant self-doubt and propelled by the essential personal bond he develops with those (and that which) he frames with his camera. His passion for people has naturally led him to develop portraiture as his preferred means of representing those whose true self he feels an urge to get closer to. Which he has, with actress Catherine Deneuve as well as with countless anonymous subjects from the slums of Cairo, working with the same discretion, waiting to get from his subjects what he is hoping they will offer him, without ever asking for it, simply hoping that it will happen. That is how he has patiently constructed a unique portrait of his beloved Cairo to create, with black and whites of exemplary classicism and colors of rare subtlety, the definite alternative to the heaps of cultural and touristic clichés which clutter our minds. Speaks Arabic No Length of stay in Egypt visited Egypt for first time in 1992, regular visits since then, overall ca. 6 years Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Denis Dailleux Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/pages/biography/ https://omeka.beyncollective.com/files/original/3e401c69e80d61da543205c3d0cc6e2e.jpg 69192a016f83c3cbc07a23b3bb8d6814 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource sayeda . women in egypt . Description An account of the resource SAYEDA is a photographic work about women in Egypt. I travelled to Egypt on various occasions to do portraits and interviews with women from different walks of life. Many people in Egypt fight against violations of human, and in particular, women´s rights. In my work, I approached Egyptian women from different social environments whose position in society depends on religion, education, age and socio-economic situation. This work explores the issue of what it means to be a woman in egypt today. I am so thankful to all women I had the great pleasure to meet, listen to and learn from! I received a grant from the german foundation “VG Bild Kunst” for this project. I was also award the “Grenzgänger” Scholarship from the Literarisches Colloqium Berlin and the Robert Bosch Foundation, and this work was supported by the Goethe Institute in Cairo. To see all portraits and read all interviews and also wondeful essays by political scientist Hoda Salah and art historian Franziska Schmidt, please have a look at the book: Amélie Losier, SAYEDA. Frauen in Ägypten. Women in Egypt. Femmes d’Égypte, at editions Nimbus. Kunst und Bücher, 2017, isbn 978-3-03850-037-7 (in German, English and French) Creator An entity primarily responsible for making the resource Amélie Losier Source A related resource from which the described resource is derived http://www.amelielosier.com/sayeda-women-egypt-portraits-and-street-photography Language A language of the resource English, French, German Publisher An entity responsible for making the resource available <ul><li>http://www.nimbusbooks.ch/buch/sayeda (October 2017)</li> <li><a href="https://www.emma.de/artikel/der-kampf-um-die-verlorene-freiheit-336911">EMMA </a><br /><span>Hoda Salah, </span><span>25. Juni 2019</span></li> <li><span><a href="https://dafg.eu/aktuelles/news/?tx_ttnews%5Btt_news%5D=1852&amp;cHash=8ccee858130b7a98cf70f4dd8861eaf5">Deutsch-Arabische Freundschaftsgesellschaft</a><br />Redaktion , 28. Juni 2018</span></li> <li><span><a href="https://www.arte.tv/de/videos/078183-003-A/metropolis/">arte METROPOLIS</a><br />Redaktion , 17. Juni 2018</span></li> <li><span><a href="http://www.tagesschau.de/multimedia/video/video-397703.html">ARD, Tagesschau </a><br />Redaktion , 25. April 2018</span></li> <li><span><a href="https://www.daserste.de/information/wissen-kultur/ttt/sendung/ndr/losier100.html">TTT Titel Thesen Temperamente</a><br />Maryam Bonakdar, 23. April 2018</span></li> <li><span><a href="http://www.trierkids.de/news/index.php#650338a8b80eedd01">trierkids.de</a><br />Gabi Böhm, 3. April 2018</span></li> <li><span><a href="http://www.badische-zeitung.de/literatur-und-vortraege/von-starken-und-mutigen-aegypterinnen--148624639.html">Badische Zeitung </a><br />Annemarie Rösch, 26. Januar 2018</span></li> <li><span><a href="http://www.deutschlandfunkkultur.de/bildband-sayeda-frauen-in-aegypten-all-diese-frauen-sind.1270.de.html?dram:article_id=400781">Deutschlandradio Kultur</a><br />Andrea Gerk, 16. November 2017</span></li> <li><span><a href="https://www.radiox.ch/buchbasel-2017-alle-interviews-zum-nachhoren/">Radio X</a><br />Redaktion, 15. November 2017</span></li> <li><span><a href="https://www.journal21.ch/frauen-in-aegypten">Journal 21</a><br />Stephan Wehowsky, 14. November 2017</span></li> <li><span><a href="http://www.buchjahr.uzh.ch/zuerichliest/category/der-donnerstag/page/2/">Schweizer Buchjahr 17</a><br />Carla Peca, 30. Oktober 2017</span></li> <li><span><a href="http://www.taz.de/!5423630/">taz</a><br />Waltraud Schwab, 8. Juli 2017</span></li> <li><span><a href="https://www.freelens.com/news/sayeda-women-in-egypt/">Freelens</a><br />Paula Tamm, 31. Mai 2017</span></li> <li><span><a href="http://www.berglink.de/frauen-in-aegypten-ein-buchprojekt/">BergLink. Magazin für Entdecker und Entdeckungen</a><br />Redaktion, 19. Mai 2017</span></li> <li> <div> <div class="_1mf _1mj"><span>Face to Face</span></div> </div> <div> <div class="_1mf _1mj"><span>Rosphoto Saint Petersburg, Russland</span></div> </div> <div> <div class="_1mf _1mj"><span>Exhibition 29.02 - 21.04.2020</span></div> <div class="_1mf _1mj"><span><a href="https://rosphoto.org/von-angesicht-zu-angesicht/sayeda/">https://rosphoto.org/von-angesicht-zu-angesicht/sayeda/</a><br /></span></div> </div> </li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2014 –2017 Rights Information about rights held in and over the resource Approved to publish Type The nature or genre of the resource Portrait photography, street photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo and aroud, Alexandria, Sadat City and Tunis el Fayoum on the countryside. Relation A related resource Commissioned/supported/financed: <br /><blockquote> <div> <div> <div> <ul><li><span>grant from the german foundation “VG Bild Kunst”</span></li> <li><span>“Grenzgänger” scholarship </span><span>from the Literarisches Colloqium Berlin and the Robert Bosch Foundation</span></li> <li><span>supported by the Goethe Institute in Cairo</span></li> </ul></div> </div> </div> </blockquote> Subject The topic of the resource Motivation: Part of my family is originally from French Algiers, but when I set out on this project, I had never visited an Arab country before. I like to encounter foreign worlds to learn about other cultures and people. Photography offers an opportunity, a way in. As a photographer, I am interested in the individual circumstances of people or different groups in the population; often these are people who live on the periphery of society or as a minority, either because of their jobs, their religion or life situation. When the Arab Spring broke out in 2011 and the affected countries were in the media spotlight, I became more concerned with current events and began reading lots of newspaper pieces. Around the same time in 2012, I read a pivotal article written by Egyptian-American journalist and feminist Mona El Tahawy “Why do they hate us?“ which addresses misogyny in Islam. It was like being electrified. I wanted to understand more, and so decided to travel to Egypt to get to know the world of these women: their daily routines, their wishes, dreams and concerns. I wanted to know how differences in social position, religion, education, age and class defined the scope of their lives. The reports about the rapes at Tahrir Square in 2012 and 2013 convinced me of the necessity of this plan. Preparing for the series was sometimes tedious and tough. Luckily, I had friends in Cairo who could tell me a lot about the country and who opened up a lot of doors for me. Films and books, news and newspaper reports provided more information on how Egyptian society developed over the last fifty years and how it runs today. When I received the grant from VG Bild Kunst for the project, the whole thing became much more concrete and I could finally plan the trip. Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dounia, Imbaba, Cairo Creator An entity primarily responsible for making the resource Amélie Losier depicting women interior non-Egyptian photographer single person per image https://omeka.beyncollective.com/files/original/fe789095e5bb8cfd2a95341d0571e7e9.jpg 79c31672dd75c5673ceb99f0bb488f1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emad et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/07313569bfafabe2922883833602f9b8.png a1b1c504175033c2d00df3b99af8ee7a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Breadwinners Description An account of the resource Portrait series of housekeepers. Photos taken in at their workplaces at the consent of their employers. In a patriarchal society where men can expect to control their wives’ career choices and have a final say over all household matters, a woman may go out into the world, find a job as a housekeeper, earn money and support her whole family. However, her power and status at home may not change at all, so she ends up carrying the burden rather than the privilege of being the sole provider. Creator An entity primarily responsible for making the resource Lina Geoushy Source A related resource from which the described resource is derived https://www.linageoushy.com/breadwinners#2 Publisher An entity responsible for making the resource available <ul><li>GUP New Dutch Photography Talent</li> <li><span>RPS documentary photographer of the year https://www.rpsdpoty.com/ </span></li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2018-2019 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self-initiated and self-financed Language A language of the resource English Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Subject The topic of the resource Motivation: After watching "Roma", the Alfonso Cuarón movie, Lina thought about Cleo, the main character. How she was a part of the family, but not quite. Seeing the large socioeconomics gaps in Egyptian society, Lina was motivated to speak with her friends' housekeepers, especially those who have stayed with the same family for over 5 years - commonplace in Egyptian homes. These women, often downgrading the value of their own labour, are strong and dignified, and actually earn the incomes for their households, hence the name "Breadwinners" Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Enaiat Creator An entity primarily responsible for making the resource Lina Geoushy depicting women Egyptian photographer Egyptian photographer living abroad female photographer interior single person per image https://omeka.beyncollective.com/files/original/e7110a2e28f7664c12372f53b02d48c0.png d6951587d24aa6ed6c3b6559ce074117 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fatima Ali / 25 years old, Going out of my house is such an adventure that I go through every day and I'm ready for it. There is not a single time that I go out in the street without being harassed but it never stopped me from wearing what I like. I believe I'm different and I know that people see me as different and I'm working on letting them respect that I'm different. I got a lot of harassment because of my skin colour; I always hear sexual suggestive because I'm black, which doesn't really annoy me. Yet, one of the things that really annoys me is when someone spits on me because of my skin colour, which already happened a lot of times. The hardest situation I had to go through was when I was walking in the street in Downtown and a child with his mom shouted at me: "Hey you black girl with dirty hair." I had my Rastas and responded to his mother saying that it would be good if you teach him how to behave, but then they gathered around me and started beating me. They repeated harassing and annoying me so many times afterwards and it started to annoy me because I was passing by the same street where they also live, but still I refuse to respond to violence with violence. All of this happened only because I had Rasta dreadlocks, which was strange for society. Some time later after this incident I shaved my head, but people still annoy me in the street because of my skin colour. Creator An entity primarily responsible for making the resource Roger Anis depicting women Egyptian photographer interior male photographer single person per image https://omeka.beyncollective.com/files/original/e4308080f22b82546d144708755e3b7f.png 721dc77f3ab3c40d0b1435eddf884dc0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fatima Ali / 25 years old, Going out of my house is such an adventure that I go through every day and I'm ready for it. There is not a single time that I go out in the street without being harassed but it never stopped me from wearing what I like. I believe I'm different and I know that people see me as different and I'm working on letting them respect that I'm different. I got a lot of harassment because of my skin colour; I always hear sexual suggestive because I'm black, which doesn't really annoy me. Yet, one of the things that really annoys me is when someone spits on me because of my skin colour, which already happened a lot of times. The hardest situation I had to go through was when I was walking in the street in Downtown and a child with his mom shouted at me: "Hey you black girl with dirty hair." I had my Rastas and responded to his mother saying that it would be good if you teach him how to behave, but then they gathered around me and started beating me. They repeated harassing and annoying me so many times afterwards and it started to annoy me because I was passing by the same street where they also live, but still I refuse to respond to violence with violence. All of this happened only because I had Rasta dreadlocks, which was strange for society. Some time later after this incident I shaved my head, but people still annoy me in the street because of my skin colour. Creator An entity primarily responsible for making the resource Roger Anis Egyptian photographer male photographer not depicting women still life https://omeka.beyncollective.com/files/original/99fd13a81d259a0800cd9474cb40ca3e.jpg 065398f56d76ae5d02a98fe7b62bcb8a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women suffer under Egypt's radical rule – in pictures Description An account of the resource Photographer Gary Calton and reporter Tracy McVeigh travelled with Plan Egypt to cover the story of the women taking to the streets, opposing a new constitution that sweeps away their rights and opens the way for girls of 13 to be married. Their protests bring them into violent confrontation with government supporters Creator An entity primarily responsible for making the resource Gary Calton Source A related resource from which the described resource is derived https://www.theguardian.com/world/gallery/2013/mar/31/egypt-cairo-women-rights-revolution?fbclid=IwAR1wEWyuDPFbihnFRHCyVS1VKNAJErlpkFSb2bkL081KDFFJI22H9ylVVeE Language A language of the resource english Publisher An entity responsible for making the resource available The Guardian, 31.3.2013 Rights Information about rights held in and over the resource Not approved to publish Type The nature or genre of the resource Documentary photography Date A point or period of time associated with an event in the lifecycle of the resource ? Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: ? Relation A related resource Commissioned/supported/financed:<br /><ul><li>The Guardian</li> <li>Plan Egypt <br />(https://plan-uk.org/about-because-i-am-a-girl)</li> <li>The Observer</li> </ul> Subject The topic of the resource Motivation: ? Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource For the wealthier women of Cairo marriage comes later but they fear the scrapping of the legal marriage limit will start to affect their lives and rights too. A newly married couple wait to have their wedding photographs taken in a studio in Giza Creator An entity primarily responsible for making the resource Gary Calton depicting women interior non-Egyptian photographer single person per image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Birth Date 1967 Birthplace Sheffield Occupation photojournalist Biographical Text Gary Calton is a photojournalist whose work covers the themes of health, social justice and identity. He has travelled extensively in Russia, the African continent, USA, Japan and the UK to produce his stories for editorial publications, as well as many leading NGOs. His editorial portraits and feature stories have appeared in numerous publication namely The Observer Magazines, Time Magazine, The Sunday Times Magazine. Born in Sheffield, in 1967, Gary trained and later worked as a teacher in London. In 1990 he enrolled on a course in Photojournalist at the London College of Printing. His first Documentary project on Young Offenders in the UK was published by The Observer Newspaper in 1992. He continues to work with The Observer and Guardian publications. Gary has produce numerous documentary personal project; namely Working Mens Clubs, which looked at his childhood memories attending Britains Social Clubs, and which received a discretionary grant from the W.Eugene Smith Memorial Fund. Tuberculosis: Captain of the Armies of Death which was awarded the Fifty Crows 'International Award for Documentary Photography and Medal of Excellence.' He is currently working on a long term mixed media portrait project documenting campaigners within the UK: 'Citizens of Our Time'. Documenting the Anti Fracking Campaign in the UK. He was an Associate member of Network Photographers ; a participant in the World Press Masterclass 2000. His work has been exhibited at Visa pour l’Image (France), San Francisco and the UK. Gary is based in Yorkshire, UK. Speaks Arabic ? Length of stay in Egypt ? Currently based in Yorkshire, UK. Gender Male Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gary Calton Source A related resource from which the described resource is derived https://garycalton.com/bio Creator An entity primarily responsible for making the resource Photographer https://omeka.beyncollective.com/files/original/9a6c2ac286d8bdef6fcef36631c3a528.png 4db456462b75c9c4884d13a68a226b3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hala Nammr / 54 years old, Once I bought a very nice dress that I liked. After I bought it and tried it at home again, I immediately took it off and gave it to my daughter because I realized that I will not be able to wear it in Cairo. The dress was backless and I knew I will not feel comfortable wearing it, unless I was in a country other than Egypt. In a different place, I would wear it without hesitation. Creator An entity primarily responsible for making the resource Roger Anis depicting women Egyptian photographer interior male photographer single person per image https://omeka.beyncollective.com/files/original/1d11de9b1c741c4253459d94126cd420.png c3d877eedb45436467b5c6f168671ba8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Closet Full of Dreams Subject The topic of the resource Motivation: The idea for "Closet Full of Dreams" came to Anis after continuously hearing from women surrounding him about all the challenges they face on a regular basis, including his partner, friends and relatives. Through his conversations with these women, one theme kept repetitively appearing, namely how they dream of wearing the clothes they would really want to wear, or how they possess clothing items in their closets that they feel they cannot wear. At the time, the discourse was already saturated with conversations and projects about sexual harassment, but Anis decided to take a different approach to the topic by making it more intimate with real stories. As a man, it was naturally more difficult to approach the topic and to attempt to unravel intimate details about women's closets, but he started with relying on his immediate circles, which helped a lot. Description An account of the resource In Closets Full of Dreams I’m Opening many girls closets, showing girls dreams and fears and their own stories in a society where women is facing danger, sexual Harassment​ and oppression in the street every day. It is a true story about almost every Egyptian girl or women I know that you will always find something in her closet that she never wear or wear it once and never did again because what she faced in the street or even among her own family and friends.​For me the closets is a symbol for our mind if I can wear everything I can think about everything, if I cannot wear everything I cannot think and speak about everything It’s the simple and initial rules of being free, it is the freedom to wear what you want. If you find a society where people cannot wear what they want I believe that they also cannot talk and think about all what they want or do not want.​The idea came to me after so many stories and complaints that i hear from a lot of close female friends about their dreams in wearing dresses and their sadness in storing their nice clothes and not wearing it because of the fear of the street and society. Creator An entity primarily responsible for making the resource Roger Anis Source A related resource from which the described resource is derived http://www.rogeranis.photo/albums/a-closet-full-of-dreams/ Publisher An entity responsible for making the resource available This was Anis' final project to obtain his diploma at the Danish School of Media and Journalism in 2015. Since then, it has been published and exhibited elsewhere, such as the Delhi Photo Festival (2015) and Causette Magazine. Rights Information about rights held in and over the resource Not approved to publish Relation A related resource Commissioned/supported/financed: Self-initiated Language A language of the resource English Type The nature or genre of the resource Portrait photography, still lives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hala Nammr / 54 years old, Once I bought a very nice dress that I liked. After I bought it and tried it at home again, I immediately took it off and gave it to my daughter because I realized that I will not be able to wear it in Cairo. The dress was backless and I knew I will not feel comfortable wearing it, unless I was in a country other than Egypt. In a different place, I would wear it without hesitation. Creator An entity primarily responsible for making the resource Roger Anis depicting women Egyptian photographer interior male photographer single person per image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographers Person An individual. Gender Female Birth Date 1977 Birthplace Cairo, Egypt Currently based in Cairo, Egypt Occupation Freelance photographer, visual artist Biographical Text Heba Khalifa is a multimedia artist, photojournalist and painter. After graduating from the Faculty of Fine Arts in Cairo in 2000 with a bachelor’s degree in set design she studied at the High Institute of Art Critics. She started using photography as an essential part of her artistic projects and interest in documenting and representing women and gender issues. Heba Khalifa is also a founding member of “Shouf” collective. Speaks Arabic Yes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Heba Khalifa Creator An entity primarily responsible for making the resource Photographer Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade https://omeka.beyncollective.com/files/original/9107eba56dd448a8284cded81aca0431.jpg 0ba58b0f6570c3df6117253e7db8405b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource sayeda . women in egypt . Description An account of the resource SAYEDA is a photographic work about women in Egypt. I travelled to Egypt on various occasions to do portraits and interviews with women from different walks of life. Many people in Egypt fight against violations of human, and in particular, women´s rights. In my work, I approached Egyptian women from different social environments whose position in society depends on religion, education, age and socio-economic situation. This work explores the issue of what it means to be a woman in egypt today. I am so thankful to all women I had the great pleasure to meet, listen to and learn from! I received a grant from the german foundation “VG Bild Kunst” for this project. I was also award the “Grenzgänger” Scholarship from the Literarisches Colloqium Berlin and the Robert Bosch Foundation, and this work was supported by the Goethe Institute in Cairo. To see all portraits and read all interviews and also wondeful essays by political scientist Hoda Salah and art historian Franziska Schmidt, please have a look at the book: Amélie Losier, SAYEDA. Frauen in Ägypten. Women in Egypt. Femmes d’Égypte, at editions Nimbus. Kunst und Bücher, 2017, isbn 978-3-03850-037-7 (in German, English and French) Creator An entity primarily responsible for making the resource Amélie Losier Source A related resource from which the described resource is derived http://www.amelielosier.com/sayeda-women-egypt-portraits-and-street-photography Language A language of the resource English, French, German Publisher An entity responsible for making the resource available <ul><li>http://www.nimbusbooks.ch/buch/sayeda (October 2017)</li> <li><a href="https://www.emma.de/artikel/der-kampf-um-die-verlorene-freiheit-336911">EMMA </a><br /><span>Hoda Salah, </span><span>25. Juni 2019</span></li> <li><span><a href="https://dafg.eu/aktuelles/news/?tx_ttnews%5Btt_news%5D=1852&amp;cHash=8ccee858130b7a98cf70f4dd8861eaf5">Deutsch-Arabische Freundschaftsgesellschaft</a><br />Redaktion , 28. Juni 2018</span></li> <li><span><a href="https://www.arte.tv/de/videos/078183-003-A/metropolis/">arte METROPOLIS</a><br />Redaktion , 17. Juni 2018</span></li> <li><span><a href="http://www.tagesschau.de/multimedia/video/video-397703.html">ARD, Tagesschau </a><br />Redaktion , 25. April 2018</span></li> <li><span><a href="https://www.daserste.de/information/wissen-kultur/ttt/sendung/ndr/losier100.html">TTT Titel Thesen Temperamente</a><br />Maryam Bonakdar, 23. April 2018</span></li> <li><span><a href="http://www.trierkids.de/news/index.php#650338a8b80eedd01">trierkids.de</a><br />Gabi Böhm, 3. April 2018</span></li> <li><span><a href="http://www.badische-zeitung.de/literatur-und-vortraege/von-starken-und-mutigen-aegypterinnen--148624639.html">Badische Zeitung </a><br />Annemarie Rösch, 26. Januar 2018</span></li> <li><span><a href="http://www.deutschlandfunkkultur.de/bildband-sayeda-frauen-in-aegypten-all-diese-frauen-sind.1270.de.html?dram:article_id=400781">Deutschlandradio Kultur</a><br />Andrea Gerk, 16. November 2017</span></li> <li><span><a href="https://www.radiox.ch/buchbasel-2017-alle-interviews-zum-nachhoren/">Radio X</a><br />Redaktion, 15. November 2017</span></li> <li><span><a href="https://www.journal21.ch/frauen-in-aegypten">Journal 21</a><br />Stephan Wehowsky, 14. November 2017</span></li> <li><span><a href="http://www.buchjahr.uzh.ch/zuerichliest/category/der-donnerstag/page/2/">Schweizer Buchjahr 17</a><br />Carla Peca, 30. Oktober 2017</span></li> <li><span><a href="http://www.taz.de/!5423630/">taz</a><br />Waltraud Schwab, 8. Juli 2017</span></li> <li><span><a href="https://www.freelens.com/news/sayeda-women-in-egypt/">Freelens</a><br />Paula Tamm, 31. Mai 2017</span></li> <li><span><a href="http://www.berglink.de/frauen-in-aegypten-ein-buchprojekt/">BergLink. Magazin für Entdecker und Entdeckungen</a><br />Redaktion, 19. Mai 2017</span></li> <li> <div> <div class="_1mf _1mj"><span>Face to Face</span></div> </div> <div> <div class="_1mf _1mj"><span>Rosphoto Saint Petersburg, Russland</span></div> </div> <div> <div class="_1mf _1mj"><span>Exhibition 29.02 - 21.04.2020</span></div> <div class="_1mf _1mj"><span><a href="https://rosphoto.org/von-angesicht-zu-angesicht/sayeda/">https://rosphoto.org/von-angesicht-zu-angesicht/sayeda/</a><br /></span></div> </div> </li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2014 –2017 Rights Information about rights held in and over the resource Approved to publish Type The nature or genre of the resource Portrait photography, street photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo and aroud, Alexandria, Sadat City and Tunis el Fayoum on the countryside. Relation A related resource Commissioned/supported/financed: <br /><blockquote> <div> <div> <div> <ul><li><span>grant from the german foundation “VG Bild Kunst”</span></li> <li><span>“Grenzgänger” scholarship </span><span>from the Literarisches Colloqium Berlin and the Robert Bosch Foundation</span></li> <li><span>supported by the Goethe Institute in Cairo</span></li> </ul></div> </div> </div> </blockquote> Subject The topic of the resource Motivation: Part of my family is originally from French Algiers, but when I set out on this project, I had never visited an Arab country before. I like to encounter foreign worlds to learn about other cultures and people. Photography offers an opportunity, a way in. As a photographer, I am interested in the individual circumstances of people or different groups in the population; often these are people who live on the periphery of society or as a minority, either because of their jobs, their religion or life situation. When the Arab Spring broke out in 2011 and the affected countries were in the media spotlight, I became more concerned with current events and began reading lots of newspaper pieces. Around the same time in 2012, I read a pivotal article written by Egyptian-American journalist and feminist Mona El Tahawy “Why do they hate us?“ which addresses misogyny in Islam. It was like being electrified. I wanted to understand more, and so decided to travel to Egypt to get to know the world of these women: their daily routines, their wishes, dreams and concerns. I wanted to know how differences in social position, religion, education, age and class defined the scope of their lives. The reports about the rapes at Tahrir Square in 2012 and 2013 convinced me of the necessity of this plan. Preparing for the series was sometimes tedious and tough. Luckily, I had friends in Cairo who could tell me a lot about the country and who opened up a lot of doors for me. Films and books, news and newspaper reports provided more information on how Egyptian society developed over the last fifty years and how it runs today. When I received the grant from VG Bild Kunst for the project, the whole thing became much more concrete and I could finally plan the trip. Format The file format, physical medium, or dimensions of the resource This archive only includes a selection of photos from the project. To see the whole project please visit the artists website. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Heba, Ataba, Cairo Creator An entity primarily responsible for making the resource Amélie Losier depicting women interior non-Egyptian photographer single person per image https://omeka.beyncollective.com/files/original/5c38b6fc0c50eb3498d18bb7d7c1b990.jpg 252dc2352b1bcc9b571027c95e696c1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Son Subject The topic of the resource Motivation: The series is about the intimate relation between mothers and their sons. It all started with a portrait of a young bodybuilder and his mother; departing from there, Denis Dailleux approached several men to portrait them together with their mothers. Unconsciously, it also reflects upon the importance of the photographer's relation to his own mother. Description An account of the resource The work of Denis Dailleux, who has been living in Cairo for the past nine years, is a lasting tribute to the generosity of the Egyptian people he fell in love with on his first visit fifteen years ago, and Mother and Son, without a doubt, his most personal work. With great respect and sensitivity, he takes us into these families' inner sanctum, where a bodybuilder son's absolute love sounds like an ode to all mothers, with the power to move viewers the world over. Creator An entity primarily responsible for making the resource Denis Dailleux Source A related resource from which the described resource is derived https://www.denisdailleux.com/index.php?/albums/egypt-mother-and-son/ Date A point or period of time associated with an event in the lifecycle of the resource 2007-2013 Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: self initiated Language A language of the resource English, French Type The nature or genre of the resource Portrait photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo, Dessouk, Alexandria Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hussein et sa mère Creator An entity primarily responsible for making the resource Denis Dailleux depicting women interior male photographer multiple people per image non-Egyptian photographer https://omeka.beyncollective.com/files/original/0b559f02eb330b05f9355f708acc8a0a.jpg 953691af215b5f5908b6f908a7ad634f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I am a single mother. My daughter and I are one. She is always with me. Any lover I might have must love my daughter more than me. So I cannot easily find a lover. My life is overloaded. I work six days a week and am all over the place doing acrobatics to be able to provide shelter to my daughter. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior multiple people per image studio https://omeka.beyncollective.com/files/original/910cb763f59eb6d88246e3616e42c557.jpg d1834df947e68bf393218b7157f00868 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I cannot see well, and my friends used to call me "the girl with four eyes." As a result I grew up feeling I can neither see nor be seen by the world. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/37249a66cb9d4c7c45c69d16fd32628e.jpg bae07c82a517a9043093e118e520cd5a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I choose my path. I want to make different choices than my mother made, but her voice still resonates in my ears, "See, I told you, you will not be able to do it." Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/37f8d9f4c59d4d012864066e46152edd.jpg fa714e49be4c14ff3e70d7b9e1fccd99 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I have had horrible headaches since I was seven. At my new school, mates rejected the dark skinned intruder who thought about things differently. I hated being different – inside and out. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/c00f37780dcdaf229cb0b657fced9875.jpg ca454ef4ac4934ac9afacdd282395f47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I have spent my whole life trying to love myself. My body is heavy. I am detached from my soul. I am in the desert in my own home, empty of intimacy and feeling. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/4e5ec8273aeaf0ba44b2a4705734b21d.jpg e06c696778c9c8a85dac4393b668ea0d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I wait for my period. Although it is something I dislike very much, having my period means that I am not pregnant and I won't have to go through another abortion here in Egypt. I don't even want to imagine this situation in this country. It scares me to death. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/56131c59a4640e19681b10afb8815e85.jpg c66fbae03494f94b067846a5ee0f69c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women suffer under Egypt's radical rule – in pictures Description An account of the resource Photographer Gary Calton and reporter Tracy McVeigh travelled with Plan Egypt to cover the story of the women taking to the streets, opposing a new constitution that sweeps away their rights and opens the way for girls of 13 to be married. Their protests bring them into violent confrontation with government supporters Creator An entity primarily responsible for making the resource Gary Calton Source A related resource from which the described resource is derived https://www.theguardian.com/world/gallery/2013/mar/31/egypt-cairo-women-rights-revolution?fbclid=IwAR1wEWyuDPFbihnFRHCyVS1VKNAJErlpkFSb2bkL081KDFFJI22H9ylVVeE Language A language of the resource english Publisher An entity responsible for making the resource available The Guardian, 31.3.2013 Rights Information about rights held in and over the resource Not approved to publish Type The nature or genre of the resource Documentary photography Date A point or period of time associated with an event in the lifecycle of the resource ? Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: ? Relation A related resource Commissioned/supported/financed:<br /><ul><li>The Guardian</li> <li>Plan Egypt <br />(https://plan-uk.org/about-because-i-am-a-girl)</li> <li>The Observer</li> </ul> Subject The topic of the resource Motivation: ? Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ice-cream seller in Manial Sheiha. Few women are allowed out of their houses without their husband‘s permission and behind many doors are dozens of tragic tales of young women whose lives have been destroyed by the effects of early marriage. Creator An entity primarily responsible for making the resource Gary Calton depicting women exterior non-Egyptian photographer street photography https://omeka.beyncollective.com/files/original/3c757a30f632a4d690ec9db411d43067.jpg cf09800b9464aa631efebb75bc82e388 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Homemade Subject The topic of the resource Motivation: Heba is moved by personal stories. She believes that art should also be a constant process of experimentation. She decided to do a photo series based on the idea of collage: combining different elements to magnify the story. Description An account of the resource Ever since I was young girl I was constantly reminded by mother that being a girl is a liability and burden. I need to be extra careful of my actions. I cannot stay out late - what people would say about me? Even when I got divorced I was reminded by my family: “Be careful, you are a girl.” We live all our life guarding our body. You have to get married before you become too old to bear children. You have to preserve your figure to stay desirable. You have to you have to... Entrapped in this body I resented it. I wished to lose it, to live without it. It started as a private group on Facebook. Together, a group of women share our feelings and personal stories. Then we meet in person. We discuss what it means to be living with all these pressures, simply because we own this body. We talk about how each of us discovered what it means to be a woman. Faces turn red, tears start rolling and at that moment of openness a magical bond between us is born. From their words I take some time and start visualizing how the image of their story might look. After I photographed the women, I noticed a change. Two women decide to show their faces in the images, something they previously resisted. They do not care about the consequences; they feel liberated. Storytelling is a way to heal, to free ourselves from the weight of experience. The women who found the strength to stand and speak in front of the camera, this is the real gift. It gives me the strength to photograph and I hope it will give other women who are still silent the strength to open the door. Creator An entity primarily responsible for making the resource Heba Khalifa Source A related resource from which the described resource is derived http://arabdocphotography.org/project/homemade Publisher An entity responsible for making the resource available <ul><li>2016 Arab Documentary Photography</li> <li>2017 Homemade – Talk in Magnum Foundation New York</li> <li>2017 Homemade – Women photographers in Singapore</li> <li>2018 Homemade – Lianzhou Foto in China</li> <li>2019 Homemade (Collective exhibition The Distance Between Us during the GPP photo week in Dubai)</li> </ul> Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: <br /><ul><li>The Prince Claus Fund</li> <li>The Magnum Foundation</li> <li>The Arab Fund for Arts and Culture (AFAC)</li> </ul> Language A language of the resource English, Arabic Type The nature or genre of the resource 3D-collage, studio photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Cairo Date A point or period of time associated with an event in the lifecycle of the resource 2014 – 2016 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In my house, I cannot go out as I want, cannot call whomever I want, am not allowed to learn music. I feel I am just something on the shelf at home. Creator An entity primarily responsible for making the resource Heba Khalifa depicting women Egyptian photographer female photographer interior single person per image studio https://omeka.beyncollective.com/files/original/a591cfcfa5b3d2329d1310d42201bb4c.jpg c1996563f2bc1916d250c16345a4f5d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, a Bedouin girl holds plants she picked for her mother in the mountains near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer single person per image https://omeka.beyncollective.com/files/original/3df5b136601ae9e9c30369956f6806e7.jpg 7fdc5444d4c8c9c46cac3360cc86291f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a first, Bedouin women lead tours in Egypt’s Sinai Subject The topic of the resource Motivation: El Mofty had heard about those women from an acquaintance. For the first time, Bedouin women were able to work as tour guides. Such jobs, especially those who entail contact with tourists and "outsiders" in general, were generally not designated for women. To El Mofty, this was a turning point in this community's history. She immediately saw the story's potential, and decided to also write the story as a feature piece. To El Mofty, this was a historical moment that had to be documented, especially that this is happening in Egypt, which made it all the more relevant to her. Description An account of the resource From the AP published story: "Umm Yasser is breaking new ground among the deeply conservative Bedouin of Egypt’s Sinai Peninsula. Women among the Bedouin almost never work outside the home, and even more rarely do they interact with outsiders. But Umm Yasser is one of four women from the community who for the first time are working as tour guides." https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai Creator An entity primarily responsible for making the resource Nariman El-Mofty Source A related resource from which the described resource is derived https://apimagesblog.com/blog/2019/4/9/in-a-first-bedouin-women-lead-tours-in-egypts-sinai?rq=egypt Publisher An entity responsible for making the resource available Associated Press Rights Information about rights held in and over the resource Approved to publish Relation A related resource Commissioned/supported/financed: Commissioned by the AP Language A language of the resource English Type The nature or genre of the resource Editorial photography, documentary photography Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: Sinai, Egypt Date A point or period of time associated with an event in the lifecycle of the resource April 2019 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In this March 29, 2019 photo, a Korean tourist poses for a photograph for her friend on a trek in the mountains near Wadi Sahw, Abu Zenima, in South Sinai, Egypt. Creator An entity primarily responsible for making the resource Nariman El-Mofty depicting women Egyptian photographer exterior female photographer single person per image